Monday, August 7, 2017

Redburn in the Oneida Morning Herald

Time to tidy up. We already located favorable notices of Mardi (1849) and White-Jacket (1850) by editors Richard U. Sherman and Erastus Clark, so there pretty much has to be one of Redburn (1849), too, somewhere in the Morning Herald. Here:

Oneida Morning Herald [Utica, New York] - November 22, 1849
Herman Melville, the author of those exquisite creations Typee and Omoo has just published another work. "Redburn, His first voyage being the sailor boy Confession's of a Gentleman's Son in the Merchant service. We have not had time to peruse it yet we have no doubt that the same humor, clearness and minuteness of observation, the same fancy at all times pleasant and oftentimes highly exalted, and a like chaste style which mark his first productions are the properties of "Redburn." 
This work can be had at TRACY's.
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Sunday, August 6, 2017

Ellis Henry Roberts protests "ferocious diatribe" against Melville and Pierre (1852) in the Whig Review

Ellis Henry Roberts
Men of Mark Publishing, Washington DC, Public domain, via Wikimedia Commons
Known as "a leading Whig journal of central New York" (Men of Mark in America), the Oneida Herald was edited and published in Utica from 1851 to 1889 or later by Ellis Henry Roberts. Roberts had worked his way through Yale as a professional printer and compositor. After a year as principal of the Utica Academy, he took over the Morning Herald from Richard Updike Sherman. At Yale, Roberts
took prizes including the Townsend prize in English composition in his senior year; he was chosen by his classmates in his junior year first editor of the "Yale Literary Magazine." --Men of Mark in America
In print, Roberts continued the friendly treatment of Herman Melville displayed in the Utica Morning Herald by former editors Richard U. Sherman and Erastus Clark. Transcribed below, the Whig editor's complaint about the "ferocious diatribe" in the November 1852 American Whig Review is important as a rare public defense of Melville when he really needed it. The pro-Melville protest went against the current of popular criticism in which Melville's latest book, Pierre, had been generally damned. Melville's own publishers started the rumor that he was crazy, as Hershel Parker demonstrates in the second volume of Herman Melville: A Biography (page 125); and revealingly elaborates in Melville Biography: An Inside Narrative (page 409).

Oneida Weekly Herald - October 26, 1852
WHIG REVIEW.— The November number is already at hand. It is embellished by a portrait of Hon. Truman Smith. The articles entitled "The Prospect" and "General Scott an his Assailants" should be read by every voter, Whig and Democrat. The other articles, with the exception of a most ferocious diatribe on Herman Melville—which is by far the most unjust specimen of criticism we have read during the past five years—are of more than ordinary merit.
Roberts does not name names, but Melville scholars now attribute the notably "ferocious" and "unjust" review to George Washington Peck.

The American Whig Review - November 1852
"A BAD book! Affected in dialect, unnatural in conception, repulsive in plot, and inartistic in construction. Such is Mr. Melville's worst and latest work."
Parker memorably calls him "Melville's perverse alcoholic nemesis" (Herman Melville: A Biography, V2.142). With good reason, as the published complaint in the Oneida Weekly Herald, a prominent Whig newspaper, serves to confirm (accepting the usual attribution of the very very nasty review to G. W. Peck). I wonder though: as Pierre bombed, who besides Ellis Henry Roberts (Whig or Democrat) ever called attention to the extraordinary meanness of the criticism in the American Whig Review? Not Samuel Bowles and J. G. Holland, friendly editors of the Springfield Republican and then practically in Melville's back yard.

Springfield Republican - October 25, 1852
"The American Whig Review, for November, has a very fine portrait of Truman Smith, and is well filled with sterling literary and political articles. It can be found at Bessey's."
--Springfield Republican, October 25, 1852
G. W. Peck's correspondence with Evert A. Duyckinck included, besides desperate offers of his writing to pay for rent and food, several manuscript pages of autobiography. The autobiographical sketch and a few surviving letters and notes received by Duyckinck are now available online, courtesy of The New York Public Library Digital Collections.

Peck's manuscript autobiography was incorporated in the 1856 Cyclopaedia of American Literature, edited by Evert and his brother George L. Duyckinck. The entry for G. W. Peck appears in Volume 2 between entries for Cornelius Mathews and J. Ross Browne.
"Mr. Peck is a well read literary critic of insight and acumen, and a writer of freshness and originality."  --Cyclopaedia of American Literature
A condensed and posthumously published entry in Appleton's Cyclopaedia informs readers that the Atlantic Monthly published something by G. W. Peck shortly before his death on June 6, 1859, part of a longer "essay on Shakespeare." Peck's contribution may be the unsigned article titled "Shakespeare's Art," published in the June 1859 issue of The Atlantic Monthly. Peck is credited as the author of "Shakespeare's Art" in the bibliography of "Shakespeariana" published in the 1878 Catalogue of the Works of William Shakespeare by James Mascarene Hubbard.

Other sources credit Herman Melville's friend and future Customs House colleague Richard Grant White as author of the same essay on "Shakespeare's Art" in the June 1859 Atlantic Monthly.

More information about the life and career of Ellis Henry Roberts may be found in the 1918 edition of American Biography: A New Cyclopedia, Volume 2, offering an extended treatment of Roberts as an exceptionally influential "molder of the thought of Central New York, politically and socially."

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Favorable review of MARDI in the Oneida Morning Herald


"There is manifested a wide range of learning, a bold originality of thought, an exuberant fancy, and a figurative sprightliness which could not fail of imparting interest to any work."
This notice is collected in Herman Melville: The Contemporary Reviews, ed. Brian Higgins and Hershel Parker (Cambridge University Press, 1995) at page 230. From the Oneida Morning Herald, May 26, 1849; now accessible online via Fulton History:
MARDI: And a Voyage Thither.By Herman Melville. In two volumes. Harper & Brothers, 82 Cliff street, New York, 1849.

This third work of Mr. Melville's sufficiently evinces that his former works, Typee and Omoo, were no fictions. When, as in this instance, the author confessedly enters the field of romance, although he carries with him many of his former charming characteristics, it is easily perceived that he is dealing with very different materialsis in quite another element.

Mardi has many excellencies, as is sufficiently evinced by the attention which it receives from the critics. Its conception indicates no stinted genius or want of artistic talent. There is manifested a wide range of learning, a bold originality of thought, an exuberant fancy, and a figurative sprightliness which could not fail of imparting interest to any work. In most of these respects it surpasses Mr. Melville's former productions. They need the power of the mental crucible to fuse them into a harmonious whole. This, and what sometimes appears like straining after effect, with perhaps a little ultraism of opinion, are almost its only faults. Its excellencies will win for it many admirers.
Published in Utica, New York, the Oneida Morning Herald was co-edited then by Richard Updike Sherman and Erastus Clark. Their highly complimentary review of White-Jacket in the Oneida Morning Herald for April 6, 1850, is transcribed in the 2014 melvilliana post linked below:

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Saturday, August 5, 2017

BATTLE-PIECES in Rochester

Here are two of the earliest published notices of Melville's Battle-Pieces anywhere. Both items found in the online archives of New York newspapers at Fulton History.

In the first edition of Battle-Pieces the second line of "The Portent" reads "Slowly swaying" not "Slowly swinging" as printed in the Rochester Evening Express on August 27, 1866.

Rochester Evening Express - August 27, 1866

New Books.

BATTLE PIECES AND ASPECTS OF THE WAR, by Herman Melville, author of "Typee," "Omoo," "Redburn," "Mardi," "Moby Dick," "Whitejacket," &c. New York: Harper & Bros.

But little has been heard, of late, from the author of those very attractive novels, "Typee," &c. We have here a volume of poems of the war, "Battle Pieces," dedicated to the "memory of the Three Hundred Thousand who in the war for the maintenance of the Union, fell devotedly under the flag of their fathers." The author says that "with few exceptions, the pieces in this volume originated in an impulse imparted by the fall of Richmond." The opening piece is
THE PORTENT, 1859.
Hanging from the beam,
   Slowly swinging (such the law),
Gaunt the shadow on your green
       Shenandoah!
The cut is on the crown
       (Lo! John Brown),
And the stabs shall heal no more.
Hidden in the cap
   Is the anguish none can draw;
So your future veils its face,
       Shenandoah!
But the streaming beard is shown
       (Weird John Brown),
Meteor of the war.
The pieces are good, so far as we have read and of the right loyal and honest sentiment. For sale by Dewey.
Below, another early notice of Melville's Battle-Pieces in Rochester, this one published in the Daily Union and Advertiser on August 28, 1866:

Rochester Daily Union & Advertiser - August 28, 1866

NEW BOOKS.— Harper & Bros. have published the following: 

BATTLE PIECES AND ASPECTS OF THE WAR.— By Herman Melville. This is a volume of nearly three hundred pages filled with poetry relating to the battles and stirring events of the late civil war. The fame of the great commanders is celebrated in song, and the noted engagements are described in verse, all done in a creditable manner. Those who participated in the great battles or marched to the command of the great Generals will find much in this to prize. 

 

Battle-Pieces in The New York Sun

The New York Sun - December 7, 1866
  
BATTLE PIECES AND ASPECTS OF THE WAR. Poems, by Herman Melville. Published by Harper Bros., New York.
Mr. Melville has already a fair reputation as a poet and graceful writer, and this volume will meet a kind reception. The author has chosen themes for rhyme that would perhaps read better in prose — especially if written in his own easy, pleasing style. As descriptions of scenes and events, the book will doubtless prove one of much interest to thousands who participated in some of the many battles that form the staple of the author's praise and song. As poetry, there are few, if any, pieces that can be ranked above mediocrity. While throughout the whole volume there runs an unmistakable sentiment of true patriotism, Mr. Melville is yet liberal in his views, and generous enough to praise the virtues of his country's enemies. 

Moby-Dick in the Buffalo Daily Courier


Buffalo Daily Courier - Saturday, November 22, 1851
MOBY DICK OR THE WHALE. By Herman Melville, author of "Type[e]," "Omoo," "Redburn," &c. Harper & Bros.

This is a joyous book, full of fine witicisms, and delicate and rapid touches of humor and interest. It takes us, as in a ship with spreading sails set, flying gaily through light summer seas, in a genial climate, surrounded by flying fish and in the best of spirits and company, thro' a voyage spent in the chase and capture of this royal fish, compared with which the mightiest elephant is but as a terrier.— The invention of the author never seems to flag and his descriptions of scenery are unsurpassed.— His sketches are not to be compared to those made by a pencil, for he certainly paints in warm and glowing colors, the several characters he chooses to present; and more than all this, there is a singular vein of graphic originality in his style both of words and thoughts. We have no slight pride and pleasure in saying that his merits are unquestionably recognized on both sides of the Atlantic. For sale by PHINNEY & CO.
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Friday, August 4, 2017

Mardi in the Buffalo Daily Courier

Found on Newspapers.com

Like some other contemporary reviews of Mardi (London Athenaeum; Boston Post), the review in the Buffalo Daily Courier alludes to the old joke about the extremely rare "man who read The Monikins." The point was, Melville's indulgent allegory is about as tedious and overblown as Cooper's worst fiction. Unreadable, to most men. Indeed, the man who read Melville's Mardi would almost have to be a woman. This, all kidding aside, strikes me as the Buffalo critic's keenest insight.

Melville's chapters in Volume 2 on the south of Vivienza receive special attention, and rebuke. At least one other reviewer (in The Southern Quarterly Review) likewise complained about the satire of John C. Calhoun. The Buffalo critic equally dislikes Melville's satirical portrait in Mardi of Democratic Senator William Allen of Ohio as the "lunatic" legislator Alanno of Hio-Hio. The anti-slavery theme of the Vivenza section provokes a strong attack on Melville's perceived views there as
"ultra and offensive abolition doctrines."
Not in Herman Melville: The Contemporary Reviews and only recently available online at Newspapers.com.  I found this review of Mardi with a trove of Melville notices in the Buffalo Daily Courier, searching exclusively for Melville items added in the past 1 month.


The Buffalo Daily Courier in 1848 was edited by William A. Seaver, published by Seaver and Robert D. Foy.
"But in 1849 the whole establishment was bought by W. A. Seaver, who became both publisher and editor for the next few years." --A History of Buffalo
Seaver formerly edited the Batavia Spirit of the Times. After the Civil War (1868-1883), he superintended the popular "Editor's Drawer" in Harper's Magazine. Seaver died on January 7, 1883.

Springfield Republican - April 13, 1874
Transcribed below from the Buffalo Daily Courier, April 21, 1849, via Newspapers.com:
Mardi and a Voyage Thither. By Herman Melville. New York; Harper & Brothers. 2 Vols. 12 mo. pp 365 and 387. 
When this young and talented author burst upon the world with his romantic narrations of "Typee" and "Omoo" and opened up to the admiring gaze of his thousands of readers the previous hidden scenes of Polynesian life, presenting in all their gorgeousness of coloring and freshness of design the dreamy and sensual beauties of a land untrodden by the foot of poet or painter, men read and admired, and while they did not scruple to doubt, were still grateful for the repast thus refreshingly spread before them. Many are there of those old guests, upon whose palates still lingers the fruity flavor of that banquet, who will be tempted again to taste, but who are doomed to find, beneath this fair exterior, a core and heart of ashes. 
It were hard to discover without carefully reading the book over and over again, what the writer would be at, and we therefore predict that it will be quietly stowed away in that wallet
"———Which Time has ever at his back,
Wherein he puts alms for oblivion,"
without its latent and hidden meaning becoming public. Hereafter the man who read "Mardi" and he, whom the world has so long sought in vain, he of the "Monnikins," shall equally divide its reverent admiration.

That an allegory is intended in these two volumes of an hundred and ninety-five chapters is tolerably clear, but beyond that we have not dared to go in our investigations. Story, aside from that contained in the first half of the first volume, there is none, nor have we been able to discover, beneath the mass of verbiage and incoherency that succeeds, any revelations of new truths, any clearer expoundings of old ones. A few flings at the recent French Revolution, a chapter or two of ultra and offensive abolition doctrines, with personal attacks upon Mr. Calhoun, and Mr. Allen, member of Congress from Ohio, we noticed from their prominence, as also considerable adulation of England mixed with a little necessary but mild sarcasm upon her treatment of her starving spinners and reapers. Indeed the book is evidently made for English consumption, and there, if anywhere, will be found the ambitious man—or more probably, woman—destined to that singular fame we have mentioned.

"Mardi" opens on board a ship, cruising in the vicinity of the Equator, in search of the Sperm Whale. Three years of unsuccessful voyaging have induced the Captain to abandon the pursuit and the "Arcturion's" course is altered for the northern seas, with the intention of securing a cargo of Right-whale oil. Not fancying a sojourn in those hyperborean regions, our author, a foremast hand on board, ventures to remonstrate with his commander upon this infraction of the articles binding both, and demands to be put on shore.— The Captain, however, while he admits the cogency of the arguments advanced, intimates that in this case right must make slight concessions to might, and, in effect, that the remonstrant must accompany him on his arctic voyage, but so far exceeds to his inferior's wishes as to grant him permission to leave the ship if he can, "saying which, he walked into his cabin, like Caesar into his tent."

Our gentleman, who is determined not to go to Kamschatka, now begins to cast about for means by which to gratify his desire to remain in the tropics. Ruminating upon this subject at the masthead, a parlous fine place for quiet cogitation, he hits upon a plan, or rather selects the only one which is at all feasible, one which, though it may appear a bagatelle to an adventurous sailor, is not without its spice of peril to a landsman. He will steal one of the four boats suspended from the davits, and, in that frail bark, make good his passage to some westerly isles he wots of, distant many hundreds, or it may be thousands of leagues from the then position of the ship: preferring to take the chances of a favorable reception among the natives there, to trusting his person—rendered somewhat effeminate by a long sojourn under the vertical rays of an equatorial sun—among the icebergs of Bhering's Straits. Accordingly, as it seems desirable that he shall not undertake this grand project single handed, he communicates it to a mess-mate named "Jarl," a native of the isle of Skye, which indomitable Norseman, after revolving the matter thoroughly in his mind, consents to make one of the boating party. The details of this preparation are given, in rather a Censorish manner, being intended doubtless, as memoranda for the use of future adventurers, and viewed in that light, extremely likely to be useful. At last, all is ready, and at twelve o'clock, of a dark night, the two deserters embark on board the ticklish craft.
“All ready, Jarl?" 
“Ready.” 
“A man overboard!” I shouted at the top of my compass; and like lightning the cords slid through our blistering hands, and with a tremendous shock the boat bounded on the sea's back. One mad sheer and plunge, one terrible strain on the tackles as we sunk in the trough of the waves, tugged upon by the towing breaker, and our knives severed the tackle ropes—we hazarded not unhooking the blocks— our oars were out, and the good boat headed round, with prow to leeward. 
“Man overboard!” was now shouted from stem to stern. And directly we heard the confused tramping and shouting of the sailors, as they rushed from their dreams into the almost inscrutable darkness. 
“Man overboard! Man overboard!” My heart smote me as the human cry of horror came out of the black vaulted night. 
“Down helm!''' was soon heard from the chief mate. “Back the main-yard! Quick to the boats! How's this? One down already? Well done! Hold on, then, those other boats!''' 
Meanwhile several seamen were shouting as they strained at the braces. 
“Cut! cut all! Lower away! lower away!” impatiently cried the sailors, who already had leaped into the boats.

“Heave the ship to, and hold fast every thing,” cried the captain, apparently just springing to the deck. “One boat's enough. Steward! show a light there from the mizzen-top. Boat ahoy!—Have you got that man?" 
No reply. The voice came out of a cloud; the ship dimly showing like a ghost. We had desisted from rowing, and hand over hand were now hauling in upon the rope attached to the breaker, which we soon lifted into the boat, instantly resuming our oars. 
“Pull! pull, men! and save him!" again shouted the captain. 
“Ay, ay, sir,” answered Jarl instinctively, “pulling as hard as ever we can, sir." 
And pull we did, till nothing could be heard from the ship but a confused tumult; and, ever and anon, the hoarse shout of the captain, too distant to be understood. 
We now set our sail to a light air; and right into the darkness, and dead to leeward, we rowed and sailed till morning dawned.
The events following immediately upon this hegira are sufficiently interesting to give earnest for the future; how, for sixteen days, they continued to steer for the west, without seeing land or sail; how, on the night of the last day they fell in with, and took possession of a brigantine, at first supposed to be abandoned, but found, the next morning to be navigated by a one armed islander and his wife, between whom there existed a conjugal coolness that had led to their inhabiting one the cabin and the other the forecastle of the vessel; how, after cruising for some days in this craft, they were compelled by disasters maratime, again to take to the whale-boat, now incumbered by the additional presence of the ill matched pair of savages; how, after more days of cruising without any very distinct purpose, beyond that of saving their lives, they fall in with a remarkable floating chapel, manned by an old priest and fourteen neophytes, his sons, on their way to solemnizing some devotional rite, and accompanied by a light-complexioned, golden-haired girl, whose role in the ceremony consists in being burned; how, moved thereunto by the dictates of humanity, they killed the old priest, carried his craft by boarding and made off with the maiden; how the memory of Fayaway was outraged by the author's falling intensely in love with the prize, which sentiment he supposed to be reciprocated; how they finally arrived at Mardi and being received as demi-gods, and bearing their honors meekly, were forthwith installed in clover;—all this is well told, and will amply repay the perusal, but here the interest ceases, and from this point on, with occasional glimpses of light, the reader flounders in a slough of despond, getting deeper and deeper as he proceeds, until he is fain to give up the task in despair. The rest of the book is so unlike this introduction and the previous works of the author that we can almost believe it to be from a different pen.
Between gigs in Sandusky, Ohio, Melville's old shipmate Richard T. Greene reportedly enjoyed a brief connection with the Buffalo Daily Courier.

Found on Newspapers.com

Evidently Greene's tenure as "local" editor lasted only a couple of weeks:

Found on Newspapers.com

As previously documented in Herman Melville's Whaling Years (Appendix 1, page 213):
"... in March 1855 he accepted a position as an editor of the Buffalo Daily Courier, a position that lasted about two weeks." 
Reprinted in Herman Melville's Whaling Years, the 1892 obituary in the Chicago News Record (August 25, 1892) is vaguer on the timing of Greene's association with the Buffalo Daily Courier. If Greene ever contributed to the Buffalo Daily Courier in the early 1850's, he might (conceivably, I mean) be responsible for the bubbly reception of Moby-Dick published on November 22, 1851. Forthcoming soon, hopefully in the next post. Whoever wrote it, the short, cheery notice of Moby-Dick in the Buffalo Daily Courier is obviously in a different vein than the pointed and partisan criticism of Mardi. Criticism of Mardi by editor and staunch Democrat William A. Seaver?
"William A. Seaver, equally apt with pen and scissors, writes away with a graceful vigor and a pungent fluency on politics, persons and miscellany. His articles mark the studious reader and thinker, and have a relish of a well stored library at his elbow. He is one of the neatest paragraphers in the Union. 
--Buffalo Commercial Advertiser, July 31, 1851
More on the long literary career of William A. Seaver, from the memorial tribute published in Harper's Weekly, January 20, 1883:
WILLIAM A. SEAVER.

MR. WILLIAM A. SEAVER, whose sudden death on the 7th instant was a surprise and shock to all his friends, was born in Albany, New York, March 10, 1815. His parents removed to Batavia while he was in his infancy, and there he was brought up and educated. His first venture of any importance was in connection with the Buffalo Courier, of which he was for several years the editor; 
MR. SEAVER came to New York more than twenty years ago, and occupied himself with literary pursuits. He was at one time editor of a Church journal in this city, and correspondent for several newspapers in the South and West. In 1868 he was placed in charge of the“ Editor’s Drawer,” in HARPER'S MAGAZINE, a position for which he was well qualified by his acquaintance with men, his position in society, and his rare aptitude as a raconteur. The “ Drawer" is literally what the name implies. When this department was first projected, in the summer of 1851, the clippings and contributions intended for it were thrown into a drawer of a certain desk, and this circumstance suggested the name. The same method has been pursued ever since that time. The contributions for this department of the MAGAZINE, which come from every part of the country, are still deposited in the drawer, whence the editor takes them and culls his selections. Many of the contributions are merely crude suggestions, and MR. SEAVER displayed fine tact in editing, condensing, or enlarging them. For many years MR. SEAVER also conducted the “ Personal" departments in HARPER'S BAZAR and HARPER'S WEEKLY, the latter until the last week of his life. On the Wednesday preceding his death his “copy“ came to the office, written in his usual clear and remarkably neat hand, and the editor, glancing over the familiar MS., had little thought that it was the last he should receive from his long-time associate. 
MR. SEAVER was for some years President of the Adriatic Fire-insurance Company, of this city, and was also a member of the New York bar. He belonged to the Union Club, where his presence was always welcome, for his genial social qualities and his inexhaustible fund of anecdote and story. He resided in a pleasant cottage at Mount Vernon, where he had gathered an extensive and well-selected library. The cause of his death was acute pneumonia.