Saturday, October 10, 2026

James C. Welling's promotion to co-editor of the NATIONAL INTELLIGENCER, full text of the published 1860 announcement by William W. Seaton

Herein I am pleased to give the complete text of the 1860 editorial by William Winston Seaton (1785-1866), officially making James Clarke Welling (1825-1894) co-editor of the Washington, D. C. National Intelligencer after the death of Joseph Gales, Jr. (1786-1860), Seaton's brother-in-law and business partner. The National Intelligencer was an influential Whig newspaper that embraced conservative, pro-Union values up to and through the American Civil War. Issued only months before the election of Abraham Lincoln as president of the United States, amid the intense and growing secession crisis, Seaton's "Editorial Announcement" on August 30, 1860 affirmed the newspaper's guiding principles and determination "to hold the Union of the States as the basis of their peace and happiness" and "to support the Constitution, which is the cement of the Union, as well in its limitations as in its authorities." Welling, already an accomplished educator and journalist, would go on to have a distinguished career after the war as president of Columbian College, now the George Washington University. As amply attested by friends and colleagues at the memorial service held after his death, James Clarke Welling became a leading member of numerous organizations devoted to supporting the arts and sciences, including the Smithsonian Institution and National Geographic Society.

Seaton's formal statement of Welling's well-deserved promotion first appeared on page 3 of the Daily National Intelligencer for Thursday, August 30, 1860. Abridged versions circulated widely thereafter in American newspapers North and South.

https://www.loc.gov/resource/sn83026172/1860-08-30/ed-1/?sp=3&r=-0.053,0.039,0.387,0.161,0

Of particular importance for Melville studies is the disclosure of Welling's employment history as literary editor of the National Intelligencer. With gratifying specificity, Welling is credited with writing the highly regarded "Notes on New Books" column since the departure (no later than March 1851) of Edward William Johnston (1799-1867).

Washington City Southern Press - March 15, 1851
via genealogybank.com

As announced in the Southern Press of March 15, 1851, "Edward W. Johnston, esq., of Washington, formerly of Virginia, has become one of the proprietors of the Richmond Whig, and will in a few weeks take charge of the editorial department of the paper." Having served for a decade as literary editor before Welling replaced him, Edward W. Johnston (an older brother of Joseph Eggleston Johnston, the Confederate general) most likely wrote the generous notice of Melville's first two books that appeared in the National Intelligencer on May 27, 1847; reprinted in Herman Melville: The Contemporary Reviews, edited by Brian Higgins and Hershel Parker (Cambridge University Press, 1995) at pages 72-75 (Typee) and 114-115; 118-119 (Omoo).

According to the timeline "for the last ten years" provided by Seaton in August 1860, Welling's tenure as literary editor and author of "Notes on New Books" must have begun seven or eight months before the long and laudatory review of Moby-Dick appeared on December 16, 1851 in the "Notes on New Books" column of the Daily National Intelligencer. Seaton's announcement thus provides strong evidence for Welling's authorship of this mostly positive and impressively erudite American notice of Moby-Dick, mistakenly attributed in previous Melville scholarship to William Allan Butler.

The notably "imposing" review of Moby-Dick in the National Intelligencer was first ascribed to William A. Butler, cautiously and carefully, by Hugh W. Hetherington in his chapter on "Early Reviews of Moby-Dick" for the collection of Moby-Dick Centennial Essays, edited by Tyrus Hillway and Luther S. Mansfield (Southern Methodist University Press, 1953) at page 106. However, after Perry Miller endorsed the suggestion in his brilliant Raven and the Whale, Hetherington reiterated his erroneous guess in Melville's Reviewers: British and American (University of North Carolina Press, 1961) at pages 214-215, presenting the formerly tentative ascription to Butler as "very likely."

Hetherington's mistake, later amplified by Hershel Parker, apparently resulted from confusion about the title and typical content of pseudonymous contributions to the National Intelligencer in 1850 and 1851 by the genial lawyer-poet William Allen Butler. Hetherington, Perry Miller, and Parker after them wrongly conflated Butler's light and breezy "Notices of New Books," serially published in the National Intelligencer over the pen-name "Jacques du Monde," with the weightier reviews in the "Notes on New Books" column that James C. Welling began furnishing in June 1851 at the latest, a month or two after the previous literary editor, Edward W. Johnston, left to conduct the Richmond Whig. Butler, the good friend of Evert and George Duyckinck, was by his own admission only ever an "occasional correspondent" of the Washington National Intelligencer; as revealed in William Allen Butler, A Retrospect of Forty Years, 1825-1865, edited by his daughter Harriet Allen Butler (New York: Charles Scribner's Sons, 1911) page 234.

As Welling himself recalled in the last year of his life:

"I was the Literary Editor of the old National Intelligencer before I assumed its political conduct in the year 1858."

-- Quoted from a letter dated February 12, 1894 and partially printed in The Nation on September 13, 1894.

Given that his tenure as literary editor extended well past 1856, James C. Welling also can reasonably be credited with writing the review of Leaves of Grass that appeared in the "Notes on New Books" section of the National Intelligencer on February 18, 1856. This gently mocking response to Walt Whitman, as pointed out by Hershel Parker in the 3rd Norton Critical Edition of Moby-Dick (footnote 4, page 607), employed the same arresting phrase "sinuosities of thought" previously used in the more favorable review of Moby-Dick (National Intelligencer, December 16, 1851). While praising Whitman's "wonderful powers of description and of word-painting" Welling could not follow the airier "transcendental sinuosities of thought" he encountered in Leaves of Grass. Similarly elusive, Melville's "sinuosities of a thought" in Moby-Dick reached "depths of pathos that few can fathom." However, as Welling perceived them in 1851, Melville's winding ways of thinking and writing brought the reader somewhere worth getting to; whereas Whitman's twisted thought-trails (like Emerson's philosophy according to Longfellow) disappointingly "dwindle to a squirrel path and run up a tree."

Here is the formal statement in which William W. Seaton positively identified his co-editor James C. Welling as literary editor and author of "Notes on New Books" after the departure of Edward William Johnston ten years before; transcribed below from the Daily National Intelligencer of August 30, 1860.

Washington Daily National Intelligencer - August 30, 1860
via genealogybank.com

EDITORIAL ANNOUNCEMENT

As the surviving Editor of the National Intelligencer, I have to announce that Mr. JAMES C. WELLING will hereafter be associated with me in the editorial conduct of this journal. In making this announcement it is proper to state that Mr. WELLING is no stranger to the columns of the Intelligencer, having been, in different capacities, connected with it for the last ten years, during the first five of which, after the retirement of the accomplished EDWARD WILLIAM JOHNSTON from the Literary department of the paper, Mr. WELLING had charge of it, and was the author of those "Notes on New Books," which, by the scholarship and ability evinced in their composition, would, of themselves, be a sufficient evidence of the qualifications he brings to the tasks of journalism. But it is just to add that during the last five years he has participated in all the duties incident to the editorship of this journal, and has thus served a noviciate quite long enough to give full proof of his vocation to the exacting career upon which he has entered. Enjoying during this period, in the fullest degree, the confidence of my late lamented colleague, Mr. GALES, he has equally, by his high moral and conscientious character, no less than by his rare attainments, merited my own; and I avail myself of his temporary absence from Washington to make this announcement to the patrons whom it is the honor of the Intelligencer to address.
It is hardly necessary, either in view of this announcement, or of the irreparable bereavement which the paper has recently sustained, for me to state that the principles and aims of the National Intelligencer will undergo no change whatever; on the contrary, it will, in all respects, continue to pursue the path which it has undeviatingly trod throughout its previous course. If indeed the occasion required of me a renewed declaration of the principles by which the journal will be guided, I could but repeat what it was deemed fitting, some years ago, at an epoch in its history, to avow, and in which revolving years have made no change, viz: That in Politics the paper would continue to be Constitutional and Conservative; to hold the true objects of a just administration of this Government to be, to cherish peace and friendly intercourse with all foreign nations having correspondent dispositions; to scrupulously avoid all interference with the domestic or internal affairs of other nations; to maintain sincere neutrality towards belligerent Powers; to prefer in all cases amicable discussion and reasonable accommodation of differences to a decision of them by appeals to arms; to hold the Union of the States as the basis of their peace and happiness; to support the Constitution, which is the cement of the Union, as well in its limitations as in its authorities; to respect the rights and authorities reserved to the States and to the People as equally incorporated with, and essential to the success of the general system; to avoid the slightest interference with the rights of conscience or the functions of religion, so wisely exempted from civil jurisdiction; to preserve, in their full energy, the other salutary provisions in behalf of private and personal rights, and of the freedom of the press; to provide and maintain an adequate regular military force, and a respectable and efficient navy; to promote, by authorized means, improvements friendly to agriculture, to manufactures, and to external and internal commerce; and to favor, in like manner, the advancement of science and the diffusion of information as the best aliment to true liberty.
Such have been the objects which, for near fifty years, the NATIONAL INTELLIGENCER has endeavored to promote, in every proper way, and will continue steadily to advocate.
WM. W. SEATON.

James C. Welling, his Notes on New Books
https://melvilliana.blogspot.com/2024/08/james-c-welling-his-notes-on-new-books.html

Unabridged review of MOBY-DICK by James C. Welling in the Washington National Intelligencer
https://melvilliana.blogspot.com/2024/08/unabridged-wellings-review-of-moby-dick.html

Socialistic rhapsodies and theosophical trash, James Clarke Welling's 1852 review of Lectures and Miscellanies by Henry James Sr.
https://melvilliana.blogspot.com/2025/07/socialistic-rhapsodies-and-theosophical.html

Friday, October 9, 2026

Reviving Melville before the "Melville Revival"

Book-lover Frederick B. De Berard on the greatness of MOBY-DICK

Rediscovering De Berard’s condensed “Epic of the Whale,” Critical Synopsis, and Melville bio in Volume 2 of the “Classic Library” (1902) and “Classic Tales” (1905) anthologies

Portrait of Frederick B. De Berard.
Source: Classic Tales by Famous Authors Vol. 1
(New York: The Bodleian Society, 1905)

👉 First published on Substack, reposted here since I am keen to put into the mix of accessible, searchable data the actual words used by anthologist and unabashed bibliophile Frederick Brigham De Berard in praise of Melville and Moby-Dick. Not that De Berard was alone in recording his high estimation of Melville's writings, only two years into the new 20th century. Edwin Monroe Bacon devoted five pages to Melville as one of the "Famous Makers of American Literature" profiled in Literary Pilgrimages in New England (Silver, Burdett & Company, 1902) on pages 451-456. Bacon creatively fashioned the section on Melville in Berkshire County, Mass. as a dialogue with local Pittsfield expert "Mrs. H. M. Plunkett" = Harriette Merrick Hodge Plunkett, the well-known health advocate and journalist.

" 'Moby Dick' has been called the most dramatic and imaginative of his works. In his later writings he was much given to speculative philosophy, and his popularity waned.... Notwithstanding his remarkable adventures and sea-faring life, there was nothing of the jovial, breezy air of the sailor about him. He had more the gentle carriage of the student, the manner of the man of books. He was more than Dana a pioneer of our sea-story writers, and in his best works set a pace not easy for his successors to follow. His picturesque style came through his excellent training in English composition, to which he showed an aptitude in his youth, and from his early reading of the masters of English literature."

-- Literary Pilgrimages, page 456 https://archive.org/details/literarypilgrima00bacorich/page/456/mode/2up

By 1905 numerous surveys of American Literature counted Moby Dick as an important work, in some way worthy of attention in this fresh field of study. Granted, some early efforts happily classified Melville with "lesser writers" or "minor writers." Necessarily, the elevation of Melville's status to Giant of American Letters would take time, and the concentrated efforts of exceptionally competent academics--at Columbia University during the 1920's "Melville Revival," and later at Yale, under the tutelage of Stanley T. Williams. Nevertheless, Moby-Dick got respectful attention in numerous textbooks published between 1891 and 1905, including the following titles:

Julian Hawthorne and Leonard Lemmon, American Literature: an Elementary Textbook for Use in High Schools and Academies (Boston: D. C. Heath & Co., 1891). At page 211 rates Moby-Dick "the most powerful of Melville's books."

Alphonso G. Newcomer, American Literature (Chicago: Scott, Foresman and Company, 1901) page 128. Ranks Herman Melville as "the most important" of New York "writers of tales of adventure whose scenes were laid on shipboard or in remote quarters of the earth...." Melville "in his youth embarked upon a whaling vessel bound for the Pacific and spent several years, a portion of the time in captivity, among the South Sea Islands. The series of partly fanciful tales founded upon his experiences — Typee (1846 ), Оmоо (1847), Moby Dick, or the White Whale (1851), etc., — had a wide circulation, and an occasional admirer can still be found who will pronounce them superior to Cooper's."

Charles Noble, Studies in American Literature (New York: The Macmillan Company, 1898) at pages 287-288. Cites Melville as "our best novelist of travel and sea-life"; Moby-Dick (1851) listed with Mardi (1849), Battle-Pieces and Aspects of the War (1866), and Clarel (1876) as notable literary productions after Typee and Omoo.

Henry S. Pancoast, An Introduction to American Literature (New York: Henry Holt and Company, 1898). While this volume contains no substantive discussion of Melville or his writings, Typee and Moby-Dick are duly listed in the Appendix, Table III charting the "Literature of the Republic" c. 1809-1897.

The perceived slight motivated Albert H. Smyth to point out, as a mistake, "the omission of Herman Melville, in his best books—'Moby Dick', 'Typee', 'Omoo'—one of the best of American writers" in an otherwise favorable review of Pancoast's Introduction, published in the April 1898 issue of The Citizen.

William P. Trent, A History of American Literature, 1607-1865 (New York: D. Appleton and Company, 1905). Placing Melville with "The Romancers" on pages 389-391, Trent recognizes Moby-Dick as a "masterpiece," flawed however by "inordinate length" and the bad influence of Carlye (a fault lamented by Melville's earliest critics, some more than fifty years before).

"Melville's greatest achievement still awaited him, however, for after two other fair books of adventure he published, in 1851, his masterpiece, Moby Dick, or the White Whale. If it were not for its inordinate length, its frequently inartistic heaping up of details, and its obvious imitation of Carlylean tricks of style and construction, this narrative of tremendous power and wide knowledge might be perhaps pronounced the greatest sea story in literature. The breath of the sea is in it and much of the passion and charm of the most venturous of all the venturous callings plied upon the deep. It is a cool reader that does not become almost as eager as the terrible Captain Ahab in his demoniacal pursuit of Moby Dick, the invincible whale, a creation of the imagination not unworthy of a great poet. In this uneven , but on the whole genuine, work of genius, Melville probably overtasked himself...."

Mildred Cabell Watkins, American Literature (American Book Company, 1894) page 47. Commends Moby-Dick to young readers as one of Melville's "wildly exciting tales of adventure."

Selden Lincoln Whitcomb, Chronological Outlines of American Literature with an introduction by Brander Mathews (New York: Macmillan Company, 1894) pages 166 and 265.

***

Packed with variously diverting tales of the sea, Volume 2 in the 20-volume Classic Library of Famous Literature (New York: The Bodleian Society, 1902) gives Moby-Dick its due, and then some. This particular volume offers a bold abridgement of Herman Melville’s 1851 masterpiece by series editor-arranger Frederick B. De Berard (1853-1927). The editorially condensed version unfolds in twenty-three sections that draw generously from narrative and Ahab-centered chapters of Moby-Dick, casting them collectively as “The Epic of the Whale.” [Fn 1; see below]

Six entertaining pieces by other writers follow the reader-friendly digest of Melville’s whaling “Epic.” Hennig Cohen, the outstanding old-school Melville scholar who (way back in the 1970’s) first discovered De Berard’s high regard for Melville and Moby-Dick, thus described the contents of Volume 2 in a little noticed bibliographical note:

Melville is clearly preëminent among a good and varied company. The other selections, in the order in which they appear, are a melodramatic excerpt on Malay pirates from Hard Cash by Charles Reade and Victor Hugo’s bravura description of the cannon that breaks loose on shipboard from Ninety-Three; two personal narratives, Richard Henry Dana on rounding Cape Horn, and an account of “A Real Shipwreck” in the South Seas in the 1870s by the Earl of Pembroke; and finally, two comic selections, William S. Sullivan’s [Gilbert’s] Bab ballad “The Yarn of the Nancy Bell” and Samuel Lover’s Sketch “Barny O’Reirdon, the Navigator.” [Fn 2]

All seven of the nautical stories in Volume 2, including the condensed “Epic of the Whale,” had previously been collected by De Berard in Famous Tales of the Sea (New York: International Book and Publishing Co., 1899; copyrighted by Isaac H. Blanchard Co.).

Below are links to digitized texts of the “The Epic of the Whale” in three differently titled anthologies, each edited by Frederick Brigham De Berard and accessible via either Hathi Trust Digital Library

Epic of the Whale in Famous Tales of the Sea (New York, 1899) pages 11-129.

Epic of the Whale in the Classic Library of Famous Literature (New York, 1902) Volume 2, pages 11-129.

or the Internet Archive:

Epic of the Whale in Classic Tales by Famous Authors (New York, 1905) Volume 2, pages 11-129.

As Cohen also found before me, the 1899 set of Famous Tales lacked the impressive editorial apparatus provided in the 1902 Classic Library and 1905 Classic Tales volumes produced in New York by the Bodleian Society (not affiliated with the renowned library in Oxford, England).

The 1902 and 1905 sets contain the same “General Preface” by Frederick B. De Berard and “General Introduction” by Rossiter Johnson, presented sequentially in the front of Volume 1 (featuring stories of “Battle, Camp and Siege”) together with dignified photographic portraits of De Berard and Johnson. Although Rossiter Johnson had personally known and corresponded with Herman Melville, the “General Introduction” that Johnson provided does not specifically mention or identify the author of Moby-Dick alongside other, named American writers including Irving, Poe, Hawthorne, Edward Everett Hale, and Bret Harte. [Fn 3]

De Berard likewise left Melville out of the “General Preface,” although it opens quoting Sir Thomas Browne (one of Melville’s favorite authors) on mutability (one of Melville’s favorite themes). As a good bibliophile should, De Berard fairly revels in the enjoyment of timeless “literature of imagination and fancy—the powerful imaginings of the great romancers and novelists, the beautiful fancies of great poets.” De Berard’s enthusiasm for books and authors, and for a shared culture of reading based on great works of literature, seems boundless. [Fn 4] His remarkably ardent “General Preface” begs for a closer look which I hope to give in a future post.

Here I want to focus on Volume 2 of the Classic Library and Classic Tales anthologies, where De Berard more than made up for the seeming neglect of Melville in Volume 1 by supplying a “Critical Synopsis” of the abridged Moby-Dick and short bio of its author. [Fn 5] Absent from most accounts of the legendary “Melville Revival,” the editorial contributions of Frederick Brigham De Berard deserve a wider circulation and appreciation. To that end, complete texts of the relevant “Critical Synopsis” and “Biographical” entry are given below, transcribed from digital images of Volume 2 in Classic Tales by Famous Authors (1905). Texts in Classic Tales are identical with those in the earlier Classic Library of Famous Literature (1902). For example, the typographical error of “Tmbiguities” for “Ambiguities” appears in both editions.

Enjoy!

CRITICAL SYNOPSIS OF SELECTIONS [ pages iii-iv ]
EPIC OF THE WHALE, THE : BY HERMAN MELVILLE

This is an abstract, or condensation, of the famous book, “Moby Dick; or, the White Whale,” which appeared in the ‘forties. It is one of the most powerful works ever written to depict the reality of a sailor’s life aboard a whaling ship. It is based upon the actual experience of the author, who, curiously enough, combined a taste for roving life of adventure with profound philosophic insight and remarkable literary power. The work is scarcely a story in the ordinary sense, having but a slight thread of plot.
In an encounter with an infuriated sperm whale, the captain of a New England whaling-ship had his leg bitten off and narrowly escaped with his life. Morbid regret was followed by melancholia and finally by monomania. Yearning for vengeance, he devoted his life to a search for the White Whale, “Moby Dick,” by which he had been maimed. For years he sailed in pursuit of his enemy, remaining at sea until his ship became crazy and weather-worn, and his crew were inspired with superstitious dread of the half-mythical monster, of whose very existence they were in doubt. The finding of the great whale, the attack upon it, and the destruction wrought upon boats, ship and crew, are related in the story. This slight and fanciful romance is the foundation for a series of intensely graphic descriptions of whaling life, of the sea and the creatures that dwell therein. The episodes descriptive of the whale and his life are classics of natural history. The accounts of the chase and capture of the mighty cetacean are unrivaled for their dramatic force and powerful diction. The present arrangement includes the narrative portions and those episodes relating directly to whale-life and whaling.

BIOGRAPHICAL DICTIONARY OF AUTHORS [ x - xi ]

... MELVILLE, HERMAN: Born at New York, August 1, 1819; died in that city, September 28, 1891. This author, comparatively neglected during more than a generation, ranks among the most powerful and original American men-of-letters. He led a roving and adventurous life. As a boy, he “ran away,” to sea, shipping at New Bedford for a whaling voyage, which extended over several years. While ashore on the Marquesas Islands, he and his companion were abandoned by their ship, and were made captive by the natives — a wholly savage race of cannibals. The story of his life as a sailor, his captivity and escape, and his experience as a “beach-comber” in Tahiti, are told in “Typee” (1846), “Omoo” (1847), and “White Jacket, the World in a Man-of-War” (1850). These works are vivid pictures of sea life and adventure; but Melville’s chief title to fame is due to “Moby Dick; or, the White Whale” — a work of great literary distinction, one of the most forceful series of descriptive pictures in the language, and an account of sea life and the mysteries of the deep which stands wholly alone for vividness and actuality. Melville’s other writings are: “Mardi, Etc.’‘ (1849), “Redburn” (1849), “Pierre; or, the Tmbiguities” (1852), several volumes of poems and short stories. He gave public lectures in the years 1857 to 1860; and from 1866 to 1885 was an official in the New York Customs Office. He became morbid in his later years, rigidly secluded himself from the public and all but a few friends, and died a recluse.

CLASSIC TALES BY FAMOUS AUTHORS, ed. Frederick B. De Berard.
Twenty volumes, offered by Kubik Fine Books Ltd. of Dayton, Ohio.

Footnotes

Editor Frederick B. De Berard compiled “The Epic of the Whale” from the following chapters in Moby-Dick; or, The Whale (1851), evidently using some version of the oft reprinted 1892 edition titled Moby Dick or the White Whale and copyrighted by Herman’s widow Elizabeth Shaw Melville:
1. The Monomaniac Captain [Chapter 36, The Quarter-Deck]
2. Moby Dick [41]
3. The Chase [Chapter 47, The Mat-Maker; and Chapter 48, The First 4. Lowering]
4. The Line [60]
5. Stubb Kills a Whale [61]
6. The Dart [62]
7. The Crotch [63]
8. The Sharks [64, Stubb’s Supper]
9. Cutting In [67]
10. The Monkey-Rope [72]
11. The Sperm Whale’s Head [74]
12. The Battering-Ram [76]
13. The Great Heidelburgh Tun [77]
14. The Pequod Meets the Virgin [81]
15. Pitchpoling [84]
16. The Tail [86]
17. The Grand Armada [87]
18. The Try Works [96]
19. Stowing Down and Clearing Up [98]
20. Measurement of the Whale’s Skeleton [103]
21. The Chase—First Day [133]
22. The Chase—Second Day [134]
23. The Chase—Third Day [135]
Hennig Cohen, “The Famous Tales Anthologies: Recognition of Melville, 1899” in Brodie, Alexander H., et al. “Bibliographical Notes.” The Papers of the Bibliographical Society of America, volume 68, number 2, 1974, pages 63–83. JSTOR, http://www.jstor.org/stable/24302066. Accessed 4 Oct. 2026. In the quoted passage, Cohen incorrectly attributes the “Yarn of Nancy Bell” to “William S. Sullivan,” apparently confusing William S. Gilbert with Gilbert’s composing partner Arthur Sullivan. De Berard’s Famous Tales of the Sea (1899); Classic Library (1902); and Classic Tales (1905) all credit the comic “Yarn” to Gilbert.

Ignored in the Historical Note for the 1988 Northwestern-Newberry Edition of Moby-Dick, Hennig Cohen’s 1974 find is rarely mentioned in subsequent Melville scolarship. Michael Kearns broke the silence by citing Cohen’s discovery as more good evidence for the popular appeal of Moby-Dick before the academic “Melville Revival.” See Michael Kearns, Writing for the Street, Writing in the Garret: Melville, Dickinson, and Private Publication (The Ohio State University Press, 2010) page 127. Accessible via JSTOR, https://doi.org/10.2307/j.ctv16qk3jw.9 and Project MUSE, https://muse.jhu.edu/pub/30/oa_monograph/book/24310/pdf.
For the content of known letters to Rossiter Johnson, see Herman Melville, Correspondence, edited by Lynn Horth (Northwestern University Press, 1993) pages 503-504. <https://books.google.com/books/about/Correspondence.html?id=nBeBBc3m4yYC>
In the role of author F. B. De Berard contributed two pieces of his own to the Classic Library/Classic Tales anthology. Volume 3 includes De Berard’s How They Took the Kashmir Bastion with other “Tales of Heroism”; and Volume 17 places his account of Baldur the Beautiful with "Famous Tales of Gods and Heroes.” Brief as it is, De Berard’s modest author bio in Volume 3 may serve as a helpful starting point for further study:
"DE BERARD, FREDERICK B. : Born at Racine, Wis., 1853. A prolific writer during the past twenty-five years, but mainly upon technical subjects and topics of temporary interest. His strictly literary work has been confined to criticisms, reviews and a very few stories and poems. For a number of years he has been occupied with practical studies of economic questions, and particularly with investigations touching taxation and the municipal management of the city of New York."
<https://archive.org/details/classictalesbyfa03debe/page/n33/mode/2up>
Born October 4, 1853, Frederick B. De Berard was a son of Frances Julia Merrill and Fredrick William De Berard, a grocer in Racine, Wisconsin. Frederick B. married Anna Mary Collins (Annie) in Chicago on June 4, 1878 and the couple had two children. During the first three decades of the 20th century, De Berard worked for the Merchants’ Association of New York as a statistician and eventually chief researcher. He died of a sudden heart attack at the age of 73, as reported in the Brooklyn Eagle for August 12, 1927:
"Frederick B. DeBerard of 544 E. 18th St., for 30 years connected with the Merchants Association of New York and regarded as one of the ablest investigators in this city, died Wednesday [August 10, 1927] at Lake Parlin, M[ain]e., where he had been spending the summer. Death was due to heart trouble.
Mr. DeBerard, who was 73 years old, had been connected with the Merchants Association since it was founded and at the time of his death was director of research for the organization. He was in charge of all its important investigations. He was born in Racine, Wis., and is survived by his widow, Mrs. Annie M. DeBerard; a daughter, Miss Hazel DeBerard, and a son, Willard E. DeBerard. Services will be held in the Fairchild Chapel, 36 Lefferts pl., tomorrow afternoon at 1 o’clock. Interment will be in Kensico Cemetery."
As previously noted by Cohen, two other volumes in the Classical Library and Classic Tales sets also contain writings by Melville: Volume 14 reprints Melville’s short fiction The Bell Tower as one of six “Famous Tales of Enchantment”; and Volume 16 collects “Famous Tales of Barbarians and Savages” including Captive among Cannibals, condensed from passages in the latter half of Melville’s first book, Typee, more specifically chapters 15-19, 30, 32, and 34. Four stories in Volume 16 headed “In the South Seas” are adapted from two collections by Louis Becke (not Typee as stated in Cohen’s 1974 “Note”). De Berard excerpted “Rangers of the Tia Kau” from Becke’s By Reef and Palm (London; T. Fisher Unwin, 1894); while “Ninia,” “At a Kava Drinking,” and “Feast at Pentecost” are from The Ebbing of the Tide: South Sea Stories by Louis Becke (J. B. Lippincott Company, 1896).

Armour Caldwell at Tulane, 1908
https://melvilliana.blogspot.com/2021/06/armour-caldwell-at-tulane-1908.html

Forty years of Philip Hale on Melville
https://melvilliana.blogspot.com/2016/08/forty-years-of-philip-hale-on-melville.html

Charles Goodrich Whiting, 1891 memorial article in the Springfield, Mass. Republican
https://melvilliana.blogspot.com/2016/08/charles-goodrich-whiting-author-of.html

Forgotten or well known?
https://melvilliana.blogspot.com/2018/04/forgotten-or-well-known.html

Wednesday, October 7, 2026

I stand with Israel

Today we remember the innocent lives murdered by Hamas terrorists on October 7, 2023, and honor the heroes who risked everything to save others. We remember. We stand with Israel. 🇺🇸🇮🇱 https://t.co/tfUKDPaX04
— U.S. Embassy Jerusalem (@usembassyjlm) October 7, 2026

Monday, October 5, 2026