Saturday, April 1, 2023

Carpet-Bag Philosophy

Rural Traveler Resting under a Tree
Color engraving from a work by Howard Pyle via Bridgeman Images

Writing in April 1851, Herman Melville compared independent souls like his friend and then Berkshire neighbor Nathaniel Hawthorne to savvy travelers in Europe who pack light and may therefore cross all sorts of borders with enviable ease, carrying "nothing but a carpet-bag":

There is the grand truth about Nathaniel Hawthorne. He says NO! in thunder; but the Devil himself cannot make him say yes. For all men who say yes, lie; and all men who say no,— why, they are in the happy condition of judicious, unincumbered travellers in Europe; they cross the frontiers into Eternity with nothing but a carpet-bag, — that is to say, the Ego. Whereas those yes-gentry, they travel with heaps of baggage, and, damn them ! they will never get through the Custom House.
-- transcribed by Julian Hawthorne in Nathaniel Hawthorne and his Wife (Boston, 1884); this letter is tentatively dated April 16, 1851 in the Northwestern-Newberry edition of Melville's Correspondence, edited by Lynn Horth.

About the much-discussed "NO! in thunder" part, interested readers are invited to check out two previous Melvilliana posts

both cited in the fine 2019 essay by Jonathan A. Cook on religious motifs in the aforementioned letter and others from Melville to Hawthorne.

Cook, Jonathan A. “‘AN ENDLESS SERMON’: RELIGIOUS MOTIFS IN MELVILLE’S LETTERS TO HAWTHORNE.” Religion & Literature, vol. 51, no. 2, 2019, pp. 1–22. JSTOR, https://www.jstor.org/stable/27099109. Accessed 1 Apr. 2023.

Here I want to highlight a breezy newspaper piece, frequently reprinted in 1846-1851, that similarly exalts the humble carpet-bag not only for its practical virtues but also as a figure of rare "independence" and "unencumbered bachelorhood." Originally titled "The Philosophy of a Little Carpet-Bag," the piece first appeared in the Glasgow, Scotland Citizen and was influentially reprinted in Chambers's Edinburgh Journal for Saturday, July 18, 1846

https://books.google.com/books?id=QbYCAAAAIAAJ&pg=RA2-PA48&dq#v=onepage&q&f=false

and Littell's Living Age Vol. 11 No. 126 on October 10, 1846. Google-digitized images from Volume 11 of Littell's Living Age in multiple libraries including Rutgers University are accessible online courtesy of HathiTrust Digital Library:

Echoing the anonymous Scot, perhaps accidentally, Melville praised the "unencumbered" mode of traveling light in Europe--only Melville spelled it "unincumbered" according to Hawthorne's son Julian. The same spelling occurs in Melville's Journals, ed. Howard C. Horsford with Lynn Horth (Northwestern University Press and The Newberry Library, 1989). In December 1849 Melville had decided "to travel into Germany entirely unincumbered" and therefore checked his luggage in Brussels:

"I left my carpet bag -- or rather portmanteau at the hotel."

With no carpet-bag Melville traveled even lighter than Ishmael, as John M. J. Gretchko points out in Chapter 2 of his comprehensive and beautifully illustrated study of Moby-Dick as "a tale told in the stars," Piercing the Perceptual Threshold of Herman Melville: Moving-Dick, A Heavenly Metaphor of Creativity (Falk and Bright Publishers, 2022). According to Fraser's Magazine, "three pieces" were usual for gentlemen traveling abroad: "portmanteau, hat-case, and carpet-bag." I imagined that Melville could not do without the customary carpet-bag, but Gretchko is right about Melville's ultra-light style of travel. In November 1849 Melville only packed one "little portmanteau," the piece he had "bought in London" specifically "for travelling on the Continent" (Journals, Northwestern-Newberry Edition, page 30). 

New York Evangelist- July 16, 1846 - page 4
via Genealogy Bank

American newspapers were quick to grab the Glasgow article on Carpet-Bag Philosophy. It ran in the New York Evangelist on July 16, 1846 under the compressed heading, "The Little Carpet-bag," with one added sentence of editorial introduction:

"There is some poetry, some prose, and no little philosophy, in the idea and conveniences of a little carpet-bag."

The same issue of the New York Evangelist contained a second negative review of Melville's first book Typee, largely excerpted from William Oland Bourne's hit piece in the Christian Parlor Magazine. "Typee: the Traducers of Mission" appeared on page 2 of the Evangelist for July 16, 1846; "The Little Carpet-bag" on page 4. 

New York Evangelist - July 16, 1846 - page 2

If he missed "Little Carpet-bag" there in the New York Evangelist, the author of Typee could have found it in a lot of other places, then or later.

American versions include reprintings in the Boston Evening Transcript on August 18 and December 14, 1846; Troy NY Daily Whig on August 21, 1846; and the Berkshire County Whig on September 30, 1847. A later run in New York periodicals happened a month or so before Melville's "nothing but a carpet-bag" letter to Hawthorne of April 16, 1851.

l
Philadelphia PA Sunday Dispatch - April 6, 1851
via Genealogy Bank

Later appearances of "THE PHILOSOPHY OF A LITTLE CARPET-BAG" in several NY papers (and elsewhere, under various titles including "Carpet Bag Philosophy" in the Philadelphia Sunday Dispatch for April 6, 1851) may be indebted to the reprinting on February 22, 1851 in the New York Literary World:

03 Apr 1851, Thu The Brattleboro' Eagle (Brattleboro, Vermont) Newspapers.com

"The Philosophy of a Little Carpet-Bag" is transcribed below from Chambers's Edinburgh Journal Volume 6 (July-December 1846); conveniently accessible online courtesy of HathiTrust Digital Library.

THE PHILOSOPHY OF A LITTLE CARPET-BAG.

Among the most common of street sights, is that of a gentleman hurrying along towards railway or river, bearing with him a little carpet-bag. So common it is, that it fails to attract the slightest attention. A little carpet-bag is no more noted than an umbrella or walking-stick in a man's hand; and yet, when rightly viewed, it is, to our thinking, an object of no ordinary interest. We feel no envy for the man on whom has devolved the charge of a heap of luggage. The anxiety attending such property outweighs the pleasure of its possession. But a man with a little carpet-bag is one in ten thousand. He is perhaps the most perfect type of independence extant. He can snap his fingers in the face of Highland porter extortionate. No trotting urchin is idle enough to solicit the carrying of so slight a burden. While other passengers, by coach or railway, are looking after their trunks and trappings, he enters, and has the best seat. He and his 'little all' never part company. On arriving at their destination, they are off with the jaunty swagger of unencumbered bachelorhood! In contemplating a gentleman with a carpet-bag, we are struck, to a certain extent, with an idea of disproportion; but the balance is all on the easy side. There is far too little to constitute a burden, and yet there is enough to indicate wants attended to, and comforts supplied. No man with a little carpet-bag in hand has his last shirt on his back. Neither is it probable that his beard can suffer from slovenly overgrowth. When he retires to rest at night, the presumption is, that it will be in the midst of comfortable and cozy night-gear. A little carpet-bag is almost always indicative of a short and pleasurable excursion. No painful ideas of stormy seas or dreadful accidents on far-off railway lines are suggested by it. Distance is sometimes poetically measured by 'a small bird's flutter,' or 'two smokes of a pipe,' or some such shadowy, though not altogether indefinite phrase. Why may not time, in like manner, be measured by two shirts? A gentleman with a little carpet-bag may be said to contemplate about a couple of shirts' absence from home. -- Glasgow Citizen.

-- Chambers's Edinburgh Journal for Saturday July 18, 1846.

The recycling of Carpet-Bag Philosophy in 1851 by American periodicals including the New York Literary World might explain why Melville had carpet-bags on his mind in that April 1851 letter to Hawthorne--and Moby-Dick, too. Melville did not finish writing his sixth book until summertime; the first American edition of Moby-Dick was available for sale in Albany bookstores by November 12, 1851.  

Chapter 2: The Carpet-Bag starts with the news of Ishmael's comically light packing for a whaling voyage of 3-4 years:

"I stuffed a shirt or two into my old carpet-bag, tucked it under my arm, and started for Cape Horn and the Pacific."

Coincidentally or deliberately, the title and contents humorously recall "The Philosophy of a Little Carpet-Bag," reprinted in The Literary World back on February 22, 1851. Making a virtue of necessity, Ishmael faithfully adhered to the Scottish Carpet-Bag Philosophy, acting as if he expected "a short and pleasurable excursion" with "no painful ideas of stormy seas or dreadful accidents."

Obviously, our antebellum carpet-bag and easy-going philosophy thereof are not for low-minded Carpet-baggers. Reader, would you like a bag for your carpet-bag? Here you go...

https://hdl.handle.net/2027/umn.31951000734920k?urlappend=%3Bseq=13%3Bownerid=13510798902438398-19

Turns out

THE PHILOSOPHY OF THE CARPET-BAG IS IN THE CARPET-BAG

for the week ending March 29, 1851.

 Related post:

Saturday, March 25, 2023

THE WHALE in the CARPET-BAG

 

Edited in Boston by Benjamin Penhallow Shillaber and Silas W. Wilder, The Carpet-Bag might be considered America's first humor magazine if you don't count Yankee Doodle. But you really should count Yankee Doodle if only because Herman Melville wrote for it in 1847--anonymously, of course. 

B. P. Shillaber
NYPL Digital Collections

Unlike SLC aka Mark Twain, Melville presumably did not contribute anything to Shillaber's comic literary journal, keeping pretty busy in Pittsfield with farming and what-not. Speaking of which, the first volume of The Carpet-Bag ventured one fun and friendly and very early mention of Moby-Dick, referenced there by its original title The Whale. 

Printed with other items of "LITERARY INTELLIGENCE," the last of three, in the Boston Carpet-Bag for October 18, 1851:

The Carpet-Bag:A Literary Journal - October 18, 1851
 "The Whale" is the name of Mr. Melville's new work, and it is likely that the critics will harpoon, lance, and cut up the said fish."

All three items of humorous "Literary Intelligence" were reprinted in the Rochester NY Daily Democrat on Friday, October 24, 1851.

Google-digitized, the rare first volume of the Carpet-Bag is held by the University of Minnesota; images accessible online via Google Books

https://books.google.com/books?id=YYk3AQAAMAAJ&pg=PP239&lpg#v=onepage&q&f=false 

and courtesy of HathiTrust Digital Library

https://hdl.handle.net/2027/umn.31951000734920k?urlappend=%3Bseq=239%3Bownerid=13510798902438398-275

 

New York Evening Post - April 24, 1851

THE CARPET BAG is the title of a new weekly journal published in Boston, and which for the short period of its existence has given evidence of more than ordinary merit. One of its editors is Mr. Shillaber, whose Mrs. Partingtonisms have won for him an enviable fame as a humorist. His associate, Mr. S. W. Wilder, is a clever writer, and possesses a fine literary taste. The Carpet Bag is an amusing, cheering, and not uninstructive miscellany, and merits the patronage which will be sure to seek it out, as soon as its character becomes known. It is now five weeks old. "May it live forever."  --New York Evening Post, April 24, 1851

For more info about Benjamin Shillaber and His Carpet Bag see

Clemens, Cyril. “Benjamin Shillaber and His ‘Carpet Bag.’” The New England Quarterly, vol. 14, no. 3, 1941, pp. 519–37. JSTOR, https://doi.org/10.2307/360490.

and the delightfully detailed treatment by Wayne C. Temple in Lincoln's Confidant: The Life of Noah Brooks, ed. Douglas L. Wilson and Rodney G. Davis (University of Illinois Press, 2019).


Related post:

Monday, March 20, 2023

The Confidence-Man | Herman Melville

Finely stated at 16:40:
"... I'm not unconvinced (as Melville would put it) that there is at least some intention to put the question to readers the question which is worse, a surplus of trust which is naivete, or a deficit of trust which is cynicism. And this dialectic goes unresolved ...."

Bravo!!!

Monday, March 6, 2023

"King of the Oaks" in REDBURN and Amasa Delano's NARRATIVE

The borrowed description of teak wood as "the King of the Oaks" in Chapter 34 of Herman Melville's  Redburn indicates that by summer 1849 at the latest, Melville already owned or had access to a copy of the Narrative of Voyages and Travels by Amasa Delano. Melville got the purportedly oriental phrase "king of the oaks" from Delano's description of Bombay in chapter 12. Six years later, Melville would remake chapter 18 of Delano's Narrative into the 1855 thriller, Benito Cereno.

Arrived in Liverpool, Melville's narrator Wellingborough Redburn visits a large merchant ship from Bombay named the Irrawaddy.

AMONG the various ships lying in Prince's Dock, none interested me more than the Irrawaddy, of Bombay, a "country ship," which is the name bestowed by Europeans upon the large native vessels of India. Forty years ago, these merchantmen were nearly the largest in the world ; and they still exceed the generality. They are built of the celebrated teak wood, the oak of the East, or in Eastern phrase, "the King of the Oaks." -- Redburn Chapter 34 - The Irrawaddy

For the factual substance of the Irrawaddy chapter, Melville creatively plagiarized from the Penny Cyclopaedia entry for Tectona, as Willard Thorp first discovered. 

Thorp's findings are summarized by Hershel Parker in the Historical Note for the 1969 Northwestern-Newberry edition of  Redburn. Mary K. Bercaw documents additional borrowings from the Penny Cyclopaedia in Redburn and other novels in "The Infusion of Useful Knowledge: Melville and The Penny Cyclopaedia," Melville Society Extracts 70 (September 1987) pages 9-13. 

TECTONA in the Penny Cyclopaedia supplied Melville's phrase "oak of the East"

https://books.google.com/books?id=GxwDAAAAYAAJ&pg=RA3-PA141&dq#v=onepage&q&f=false

but besides the narrator of Redburn, only Amasa Delano calls teak wood "the king of the oaks."

Amasa Delano, Narrative of Voyages and Travels (Boston, 1817) page 213.
The people of Bombay have many large ships of their own. The largest merchant ships in the world are built there, and belong to the commercial capitalists of the town. The ship builders are all natives, and are pre-eminent in their profession. They build many ships of the teak wood, which they call the king of the oaks, and which they procure from Pegu. It is as large as our largest oaks, the timber very straight, free from knots, and excellent for planks. I have seen it grow fifty feet before a limb shoots from the trunk. Some of them are three feet in diameter. There is another kind of tree, which is called there sissor-wood, and which is the best in the world for the crooked timber required in ships. It is extremely hard and durable. -- Amasa Delano, Narrative of Voyages and Travels (Boston, 1817). 

https://books.google.com/books?id=34QqAQAAIAAJ&pg=PA213&dq#v=onepage&q&f=false

Like Delano, Melville's narrator emphasizes the size of merchant ships built in India:

"these merchantmen were nearly the largest in the world" - REDBURN

"... largest merchant ships in the world" - DELANO

Delano also names Pegu as the place for getting teak...

"I thought I was in Pegu, so strangely woody was the smell of the dark-colored timbers...." (REDBURN)

"... which they procure from Pegu." (DELANO)

But Redburn's sensory experience of the "woody" odor seems, like the name of the Bombay vessel, to have been inspired by the "forests" of teak "along the banks of the Irrawady, especially in Pegu" as described in the Penny Cyclopaedia entry TECTONA. Same goes for the expression "oak of the east," also found in TECTONA, the Penny Cyclopaedia entry first identified by Willard Thorp as Melville's source for the Irrawaddy chapter in Redburn. Not "King of the Oaks" though. Searches on Google Books and HathiTrust Digital Library yield only two works containing the phrase "the king of the oaks" before 1850: Delano's Narrative and Melville's Redburn. In old British newspapers, teak as "king of the oaks" appears only in excerpts from Redburn Chapter 34, sometimes (as in the London Guardian for November 2, 1850 and Liverpool Mercury on November 5, 1850) headed

A BOMBAY "COUNTRY SHIP."


05 Nov 1850, Tue Liverpool Mercury, etc. (Liverpool, Merseyside, England) Newspapers.com

Delano's Narrative is Number 200 in Mary K. Bercaw's 1987 checklist of Melville's Sources. In previous Melville scholarship, possible literary debts to Delano outside of Benito Cereno have been identified in White-Jacket (1850) and The Encantadas (1854). And, more questionably, in Typee (1846). Hershel Parker speculates in the second volume of Herman Melville: A Biography (Johns Hopkins University Press, 2002) that Melville might have encountered Captain Amasa Delano's Narrative by 1847, in time for use in Mardi (1849). Listed as "Delano's Voyages and Travels" in the 1828 Catalogue of Books in the Albany Library, page 23

 and so indexed in the 1838 and 1850 Catalogue of the New York Society Library.

With further study, more traces of Melville's reading in Delano's Narrative may turn up in Redburn and elsewhere in Melville's published writings.

Ship Pascoa under sail, 1st August 1832, China Sea
Chinese School, 19th Century, Public domain, via Wikimedia Commons

 Further reading

Related post

Sunday, March 5, 2023

Lascars and Indian Ocean Seafaring, 1780-1860

Lascars and Indian Ocean Seafaring, 1780-1860: Cases of mutiny and other forms of protest are used to reveal full and interesting details of lascar shipboard life.Shortlisted for the Royal Historical Soci...

Saturday, March 4, 2023

Fragments from a Writing Desk: BRODHEAD: The Rogue Elephant in Anthony T. Kronman...

Link below to the online book review posted in March 2011 by Hershel Parker who recalls splitting with leftist editor Paul Lauter

"over the issue of respecting quality (I want to spend most of my time on great writers); over the issue of politicizing literature (making Melville, for example, just exactly as up-to-date on racial issues as the latest critic thinks he or she is); and over the Politically Correct insistence on celebrating victimization."

Fragments from a Writing Desk: BRODHEAD: The Rogue Elephant in Anthony T. Kronman...: Anthony T. Kronman, EDUCATION’S END: WHY OUR COLLEGES AND UNIVESITIES HAVE GIVEN UP ON THE MANING OF LIFE This is a passionate, personal b...