Showing posts with label Lines Written after a Snow-Storm. Show all posts
Showing posts with label Lines Written after a Snow-Storm. Show all posts

Tuesday, April 9, 2019

Lines Written after a Snow-Storm by Clement C. Moore, 1824 and 1844 versions

Now accessible online courtesy of Troy Public Library and New York State Historic Newspapers, the first printing of "Lines Written after a Snow-Storm" by Clement C. Moore. 

Untitled and unsigned, this poem appeared in the Troy Sentinel on February 20, 1824, almost two months after the anonymous first printing of Moore's "Account of A Visit from St. Nicholas" on December 23, 1823. The two poems may have been composed around the same time. There was in fact a snowstorm in New York City on Saturday, December 21, 1822, a few days before Christmas. The speaker in both poems is a father with his "children" nearby (asleep in "Visit" while sugarplum visions "danc'd in their heads"; awake in "Lines" while snowflakes "dance upon the air"). Significant verbal parallels with "Visit" include the shared beds/heads rhyme, the simile with the trigram "as the snow," as well as forms of the words childrendance, vision, and winter's. Presumably the person or persons (Harriet Butler and Sarah Sackett, according to different reports) who furnished editor Orville L. Holley with a copy of Moore's "Visit from St. Nicholas" also provided Moore's lovely little snow poem. In the 1844 volume Poems by Clement C. Moore it appears on pages 80-82 under the title, "Lines / Written after a Snow-Storm."

Troy Sentinel - February 20, 1824
Troy Public Library via NYS Historic Newspapers
FOR THE TROY SENTINEL.
Come dearest children look around,
    And see how soft and light
The silent snow has clad the ground,
    In robes of purest white.

The trees are deck'd by fairy hands,
    Nor need their native green;
And every breeze now seems to stand,
    All hush'd, to view the scene.

You wonder how these snows were made
    That dance upon the air;
As if from purer worlds they stray'd,
    So lovely and so fair.

Perhaps they are the summer flowers,
    In northern stars that bloom;
Wafted away from ivy bowers,
    To cheer our winter's gloom.  
Perhaps they are feathers of a race
    Of birds, that live away
In some cold wintry place,
    Far from the sun's warm ray.

And clouds perhaps are downy beds,
    On which the winds repose;
Who, when they move their slumbering heads,
    Shake down the feathery snows.
But see, my dearlings, while we stay
   And gaze with such delight,
The fairy scene now fades away,
   And mocks our raptur'd sight.

And let this fleeting vision teach
    A truth you soon must know —
That all the joys we here can reach,
   Are transient as the snow.
New York Evening Post - December 23, 1822
via GenealogyBank
Numerous corrections and changes were made in revision of this poem for publication in Moore's 1844 Poems. My favorite example is "ivy bowers" in the 1824 printing, corrected by Moore to "icy bowers" in the later book version. The copyist's or printer's error of "ivy" for "icy" nicely illustrates why "original" printings, including first printings in newspapers, do not necessarily offer the most accurate and reliable textual readings. Here's the 1824 version again, but this time with 1844 changes shown in brackets:
Come dearest children [1844: children dear, and] look around, [1844: semicolon],
    And see [1844: Behold] how soft and light
The silent snow has clad the ground, [1844: end comma deleted]
    In robes of purest white.

The trees are [1844: seem] deck'd by fairy hands [1844: hand],
    Nor need their native green;
And every breeze now seems [1844: now appears] to stand,
    All hush'd, to view the scene.

You wonder how these [1844: the] snows were made
    That dance upon the air; [1844: end comma]
As if from purer worlds they stray'd,
    So lovely [1844: lightly] and so fair.

Perhaps they are the summer flowers, [1844: end comma deleted]
    In northern stars that bloom; [1844: end comma]
Wafted away from ivy bowers [1844: icy bowers], [1844: end comma deleted]
    To cheer our winter's gloom.  
Perhaps they are [1844: they're] feathers of a race
    Of birds, [1844: comma deleted] that live away,
In some cold wintry place, [1844: cold dreary wintry place,]
    Far from the sun's warm ray.

And clouds perhaps are downy beds, [1844: And clouds, perhaps, are downy beds]
    On which the winds repose;
Who, when they move [1844: rouse] their slumbering heads [1844: slumb'ring heads],
    Shake down the feathery [1844: feath'ry] snows.
But see, my dearlings [1844: darlings], while we stay
   And gaze with such [1844: fond] delight,
The fairy scene now [1844: soon] fades away,
   And mocks our raptur'd sight.

And let this fleeting vision teach
    A truth you soon must know —
That all the joys we here can reach, [1844: end comma deleted]
   Are transient as the snow.
And here's the book version that appears in Moore's 1844 Poems:



1844 version, transcribed below:
LINES
WRITTEN AFTER A SNOW-STORM.
COME children dear, and look around;
   Behold how soft and light
The silent snow has clad the ground
   In robes of purest white.

The trees seem deck'd by fairy hand,
   Nor need their native green;
And every breeze appears to stand,
   All hush'd, to view the scene.

You wonder how the snows were made
   That dance upon the air,
As if from purer worlds they stray'd,
   So lightly and so fair.

Perhaps they are the summer flowers
   In northern stars that bloom,
Wafted away from icy bowers
   To cheer our winter's gloom.

Perhaps they're feathers of a race
   Of birds that live away,
In some cold dreary wintry place,
   Far from the sun's warm ray.

And clouds, perhaps, are downy beds
   On which the winds repose;
Who, when they rouse their slumb'ring heads,
   Shake down the feath'ry snows.

But see, my darlings, while we stay
   And gaze with fond delight,
The fairy scene soon fades away,
   And mocks our raptur'd sight.

And let this fleeting vision teach
   A truth you soon must know —
That all the joys we here can reach
   Are transient as the snow. 
--Clement C. Moore, Poems (New York: Bartlett & Welford, 1844), 80-82.
Related posts:

Wednesday, December 6, 2017

Clement C. Moore, My Reasons for Loving (poem by Catherine Elizabeth Taylor)

Poem by Eliza Moore in Mary Moore Sherman's Recollections of Clement C. Moore (1906)
via William & Mary Libraries

Clement C. Moore
MY REASONS FOR LOVING.

You ask me why I love him?
    I’ll tell the reason true:
Because he said so often
    With fervour “I love you.”

I loved him, yes, I loved him
    Because he told his flame
With such a skilled variety
    And whispered “Je vous aime.”

Because so sweetly tender
   As any swain on Arno,
In crowded streets he’d woo me,
   With Petrarch’s own “Vi amo.”

Because whenever coldly
    I’d answer him “Ah, no,”
He’d all my coldness banish
    By faltering “Te amo.”

Because when belles surrounded
    He’d still address to me
The words of love and learning,
    And sigh “Philea se.”

Because his English, French,
    Italian, Latin, Greek,
He crowned with noble Hebrew
    And dulcet “Ahobotick.”

Moore's wife Catherine Elizabeth Taylor ("Eliza" in the family circle) composed these quatrains which were transcribed by Mary Moore Sherman and printed in the beautiful volume titled Recollections of Clement C. Moore, author of "A Visit from St. Nicholas" (New York: Knickerbocker Press, 1906). Available online from the Nancy H. Marshall collection in the William & Mary Digital Archive:
"Includes 2 poems by Clement C Moore, including "A Visit from St. Nicholas." Part of the Nancy H. Marshall Night before Christmas collection. Swem Library copy includes and undated letter about the book by Margaret N. C. Bradley, niece of the author."
https://wm.primo.exlibrisgroup.com/permalink/01COWM_INST/g9pr7p/alma991004057749703196


The second poem by Clement C. Moore in this volume of Recollections by his granddaughter is the lovely snow poem, Lines Written after a Snow-storm

Monday, February 6, 2017

Clement C. Moore's snow poem in the Troy Sentinel

At the Troy Public Library I looked for and found the other anonymously published poem by Clement C. Moore in the Troy Sentinel. As related in the earlier Melvilliana post on Moore's Lines Written after a Snow-storm, these untitled and uncredited lines were reprinted "From the Troy Sentinel" in the Rhode-Island American on Tuesday, March 2, 1824. Presumably in Troy the verses were supplied by the same person or persons (Harriet Butler and/or Sarah Sackett) who, two months before, had passed along Moore's "A Visit from St. Nicholas" to editor Orville L. Holley. Clement C. Moore included a revised version in his 1844 Poems, printed there under the title Lines / Written after a Snow-storm. For expert assistance in the Troy Room I am indebted to the fine staff of the Troy Public Library. Thank you! 

Lines by Clement C. Moore, first published anonymously in 
The Troy Sentinel - Friday, February 20, 1824
Come dearest children [1844: children dear, and] look around;
    And see [1844: Behold] how soft and light
The silent snow has clad the ground, [1844: end comma deleted]
    In robes of purest white.

The trees are [1844: seem] deck'd by fairy hands [1844: hand],
    Nor need their native green;
And every breeze now seems [1844: appears] to stand,
    All hush'd, to view the scene.

You wonder how these [1844: the] snows were made
    That dance upon the air; [1844: end comma]
As if from purer worlds they stray'd,
    So lovely [1844: lightly] and so fair.

Perhaps they are the summer flowers, [1844: end comma deleted]
    In northern stars that bloom; [1844: end comma]
Wafted away from ivy bowers [1844: icy bowers], [1844: end comma deleted]
    To cheer our winter's gloom.  

Perhaps they are [1844: they're] feathers of a race
    Of birds, [1844: comma deleted] that live away,
In some cold wintry place, [1844: cold dreary wintry place,]
    Far from the sun's warm ray.

And clouds perhaps are downy beds, [1844: And clouds, perhaps, are downy beds]
    On which the winds repose;
Who, when they move [1844: rouse] their slumbering heads [1844: slumb'ring heads],
    Shake down the feathery [1844: feath'ry] snows.
But see, my dearlings [1844: darlings], while we stay
   And gaze with such [1844: fond] delight,
The fairy scene now [1844: soon] fades away,
   And mocks our raptur'd sight.

And let this fleeting vision teach
    A truth you soon must know —
That all the joys we here can reach, [1844: end comma deleted]
   Are transient as the snow.


Related posts:

Sunday, November 13, 2016

"Lines Written after a Snow-storm" by Clement C. Moore, reprinted in 1824 from the Troy Sentinel

Clement C. Moore's classic poem A Visit from St. Nicholas aka The Night Before Christmas was first published anonymously in the Troy Sentinel, on December 23, 1823. Everyone knows that, but here's a melvilliana exclusive to deck your holiday halls with. Only a few months later (definitely before March 2, 1824) another unsigned poem by Clement C. Moore also appeared in the Troy Sentinel. Of course, this one never spread as rapidly or widely as "A Visit from St. Nicholas" did. Nevertheless, it was noticed and reprinted in at least one other newspaper. I have not yet located the original Troy Sentinel printing [Update: found! in the Troy Sentinel, February 20, 1824] but here is the version reprinted "FROM THE TROY SENTINEL" in the Providence, Rhode-Island American on Tuesday, March 2, 1824. Found in the online Newspaper Archives at Genealogy Bank.
[Providence] Rhode-Island American - March 2, 1824
Like "A Visit from St. Nicholas," this poem was reprinted with minor revisions and corrections in Moore's 1844 volume of Poems, under the title Lines Written after a Snow-Storm. The table of contents there gives the title as "Lines Written after a Fall of Snow."


In 1913 Arthur Inkersley associated these very "Lines" with the more famous holiday poem, as the  two works Moore then was best remembered for:
... Mrs. MacNutt was Miss Margaret Ogden, a granddaughter of Clement C. Moore, the scholar, poet and musician, widely known as the author of “ 'Twas the Night Before Christmas" and “Lines Written After a Snowstorm.” --The Overland Monthly
It makes a neat companion piece with "The Night Before Christmas." As pointed out in our last, Moore addresses his meditative "Lines Written after a Snow Storm" to his kids. And as Stephen Nissenbaum aptly remarks, the poem
 could almost be titled "The Morning after Christmas."  --There Arose Such a Clatter

 http://commonplace.online/article/there-arose-such-a-clatter/

LINES

WRITTEN AFTER A SNOW-STORM.

COME children dear, and look around;
   Behold how soft and light
The silent snow has clad the ground
   In robes of purest white.

The trees seem deck'd by fairy hand,
   Nor need their native green;
And every breeze appears to stand,
   All hush'd, to view the scene.

You wonder how the snows were made
   That dance upon the air,
As if from purer worlds they stray'd,
   So lightly and so fair.

Perhaps they are the summer flowers
   In northern stars that bloom,
Wafted away from icy bowers
   To cheer our winter's gloom.

Perhaps they're feathers of a race
   Of birds that live away,
In some cold dreary wintry place,
   Far from the sun's warm ray.

And clouds, perhaps, are downy beds
   On which the winds repose;
Who, when they rouse their slumb'ring heads,
   Shake down the feath'ry snows.

But see, my darlings, while we stay
   And gaze with fond delight,
The fairy scene soon fades away,
   And mocks our raptur'd sight.

And let this fleeting vision teach
   A truth you soon must know —
That all the joys we here can reach
   Are transient as the snow.
 Related posts: