Showing posts with label Pip. Show all posts
Showing posts with label Pip. Show all posts

Monday, May 4, 2026

Pip the Crown Jewel of MOBY-DICK

 

Tuesday, April 14, 2020

Pittsfield's Bildad

Robert Melvill aka Robert Melville was Herman Melville's first cousin. Herman's father Allan Melvill was the older brother of Robert's father Thomas Melvill, Jr. While Herman was living at Arrowhead in Pittsfield, Massachusetts and still working on Moby-Dick, his cousin Robert got appointed administrator for the estate of deceased Pittsfield resident Bildad Williams (1784-1851). Robert Melvill was a Pittsfield farmer. With his wife Susan, Robert ran the old Melvill mansion as a boarding house, until the property was sold to John Rowland Morewood. Later in 1851, some time after the Morewoods returned to Pittsfield from England, Robert moved to Galena, Illinois. Later he settled in Davenport, Iowa. I don't know how or why Herman's cousin Robert Melvill would have been involved in the settlement of Bildad's estate.

Bildad in the Bible is one of Job's three friends. In Moby-Dick, one of the Quaker owners of the whaleship Pequod is named Bildad. As Ishmael describes him in chapter 16 of Moby-Dick, the fictional Bildad is characteristically pious and parsimonious. At sea, Captain Bildad had been a notoriously demanding employer or "task-master":
Now Bildad, I am sorry to say, had the reputation of being an incorrigible old hunks, and in his sea-going days, a bitter, hard task-master. They told me in Nantucket, though it certainly seems a curious story, that when he sailed the old Categut whaleman, his crew, upon arriving home, were mostly all carried ashore to the hospital, sore exhausted and worn out. For a pious man, especially for a Quaker, he was certainly rather hard-hearted, to say the least. He never used to swear, though, at his men, they said; but somehow he got an inordinate quantity of cruel, unmitigated hard work out of them. When Bildad was a chief-mate, to have his drab-colored eye intently looking at you, made you feel completely nervous, till you could clutch something—a hammer or a marling-spike, and go to work like mad, at something or other, never mind what. Indolence and idleness perished from before him. His own person was the exact embodiment of his utilitarian character. On his long, gaunt body, he carried no spare flesh, no superfluous beard, his chin having a soft, economical nap to it, like the worn nap of his broad-brimmed hat. 
--Moby-Dick Chapter 16: The Ship 
Pittsfield's real Bildad also might have been hard to work for. Or maybe he was just unlucky in his reliance on rascally "boys," like Pitch in The Confidence-Man ("all boys are rascals"). No telling why, exactly, but in October 1838, a young apprentice named Henry ran away from Bildad Williams.

Thu, Nov 15, 1838 – 1 · The Pittsfield Sun (Pittsfield, Massachusetts) · Newspapers.com

NOTICE.

RAN away from the subscriber, on the 20th inst, HENRY W. WARD, a lad about 12 years old, light complexion, dark hair, and blue eyes; without hat or shoes. All persons are hereby cautioned not to harbor, trust or employ said boy; and whosoever will give information where he may be found shall receive the thanks of
BILDAD WILLIAMS.
Pittsfield, Oct. 22, 1838. 
Henry W. Ward must have been returned to Bildad, for he ran away again two years later:

Pittsfield Sun - February 4, 1841 via GenealogyBank

NOTICE.

RUN away from me on the 27th ult. a Boy by the name of HENRY W. WARD, 14 years old, stocky built, gray eyes, dark hair, and walks stooping. He wore away a light mixed roundabout, black vest with a red back, and moleskin pantaloons--all considerably worn. He also wore away a good hair seal cap, and a pair of good boots, and took some other articles of clothing. All persons are forbid harboring, trusting or employing said runaway; and whoever will give information where he may be found will confer a favor on
BILDAD WILLIAMS.
Pittsfield, Feb. 2, 1841.
The summer before Henry's second departure, in July 1840, a warrant had been issued against the estate of Bildad Williams, evidently in connection with bankruptcy proceedings.

After Bildad's death from "Disease of the kidneys" on April 27, 1851, Herman's cousin Robert Melvill was named Administrator of the estate.

Pittsfield, MA Sun - May 8, 1851
via GenealogyBank

Bildad Williams' Estate.

NOTICE is hereby given, that the subscriber has been duly appointed Administrator on the estate of BILDAD WILLIAMS, late of Pittsfield, in the County of Berkshire, deceased, and has taken upon himself that trust, by giving bond as the law directs. All persons having demands upon the estate of the said deceased, are requested to exhibit the same; and all persons indebted to said estate, are called upon to make payment to
ROBERT MELVILL, Adm'r.
May 6, 1851.
In Robert's ad for the subsequent estate sale, remaining possessions of the deceased included "a large assortment of Household Furniture" along with "Comb Makers Tools and other articles."
Pittsfield, MA Culturist and Gazette - May 14, 1851
via GenealogyBank


Notice.

THE Subscriber will expose for sale at Public Auction on Saturday, the seventeenth day of May inst., at the residence of the late Bildad Williams, a large assortment of Household Furniture. Comb Makers Tools and other articles.

ROB'T. MELVILLE, Administrator.
Pittsfield, May 13, 1851. 
The official register of deaths in Pittsfield gives the occupation of Bildad Williams as "Comb Maker." So then, young Henry Ward the 1838 and 1841 runaway possibly had been employed by Bildad in the manufacture of combs. However, according to the United States Federal Census for 1850, Bildad Williams at that time worked as a "Grocer."

Bildad's given age of 66 in the October 1850 census and April 1851 death register puts his birth year around 1784. In the category of "Sex and Condition" the death register indicates "Widower-Colored." According to the 1850 Census Bildad Williams lived alone, and owned Real Estate valued at $800.

Bildad's wife Juliana Williams died on June 28, 1846, age 65.

Pittsfield Bildad was born in Connecticut, according to census and death records accessible on Ancestry.com. At seventeen, a Bildad Williams ran away from Cato Williams (his uncle? or father?) in Mansfield, Connecticut.

Cato Williams, Bildad Williams ran away, MansfieldCato Williams, Bildad Williams ran away, Mansfield Mon, May 11, 1801 – Page 4 · Hartford Courant (Hartford, Connecticut) · Newspapers.com
"RAN away from the Subscriber in Mansfield, on the 20th inst. Bildad Williams, seventeen years old, well built, walks stooping; wore away a blue long coat, swansdown vest, blue trowsers, and a poor felt hat. This is to forbid all persons, or masters of vessels, harboring said boy on penalty of the law. Whoever will take up said boy or give information of him shall have one cent reward, and all charges paid. CATO WILLIAMS. Mansfield, 27th April 1801." 
Robert Underhill, current President of the Historical Society of Clarendon Vermont, has identified Mansfield's Bildad Williams as the son of Cato Williams with his wife Lydia Williams. As reported by Underhill and others, this Cato Williams died in Westfield, MA in 1828. A Cato Williams is listed as the head of household in the 1820 U. S. Federal Census for Lenox in Berkshire County, Massachusetts. The Williams household of five was then comprised of four "Free Colored Persons" and one "Free White Person." Another researcher on Ancestry.com gives the father of Bildad Williams as Elisha Williams (1717-1784), who owned property in Mansfield, CT next to land sold for $215 in 1809 by Jesse Spafford to Lydia, Isham, and Bildad Williams. In 1817, Bildad sold his remaining share of the Mansfield property to Simeon Allen.

Originally in Windham County Connecticut. Mansfield was annexed to Tolland County in 1827. Tolland County, CT happens to be the stated birthplace of Melville's fictional cabin boy, Pip. In Moby-Dick, Melville's narrator Ishmael refers to Pip's "native Tolland county in Connecticut" (Chapter 93); and Pip relates a story about his father in "old Tolland county" (Chapter 99). The Black cabin boy Pip may be partly based on John Backus, Melville's shipmate on the whaler Acushnet. But the birthplace of Backus has not been established, leading some readers of Moby-Dick to wonder with the editors of the 1988 Northwestern-Newberry Edition, page 853, "what made him bring in Tolland County at all?"

This Mansfield, Connecticut Bildad was reportedly 17 in 1801, which would make his birth year 1784--identical with that of the "colored" widower Bildad Williams who died in Pittsfield at the age of 66 on April 27, 1851. The same Bildad whose estate, after his death, was sold at auction by Herman Melville's cousin Robert.

In spite of the published warning to "masters of vessels" by Cato Williams in May 1801, Mansfield's Bildad Williams actually did receive New England Seamen's Protection Certificate number 2209 in New London on September 19, 1801. Age 18;  height 5' 8"; complexion "Mulatto."

So Bildad Williams from Mansfield, Connecticut went to sea. Where he sailed is unknown--the earliest New London Crew Lists on the website of Mystic Seaport Museum, are from 1803. From New London, Bildad in 1801 would not have gone a-whaling. The first commercial whaling voyage from New London was by the Dauphin in 1805, according to Alexander Starbuck's History of the American Whale Fishery.

Moby-Dick fans may be interested in the relative scarcity of sailors named Bildad. Of Melville's two retired Quaker captains, Peleg bore the commoner name. The 30,988 total records in the Registers of Seamen's Protection Certificates contain more than thirty Pelegs, but just one Bildad.

Related post:

Tuesday, September 19, 2017

Pip and the Kohinoor Diamond


The Illustrated London News - May 31, 1851
"This Engraving represents the Koh-i-Noor, or Mountain of Light, once the property of Runjeet Singh, now exhibited by her Majesty, and which, for the purpose of better inspection, is mounted upon pillars, within a gilt iron cage, prepared for the occasion by Messrs. Chubb. The machinery connected with it is so arranged, that, at the close of each day's exhibition, this valuable gem is lowered into an iron case for security during the night. Below the jewels themselves are exhibited the settings in which they originally stood" (496). [Picture and caption describe the Kohinoor exhibit before the addition of gaslight and mirrors.]
The "Castaway" of chapter 93 in Moby-Dick is Ahab's black cabin boy who goes by the nickname "Pippin." Pip, for short. Pip falls overboard and then goes kind of crazy. Beloved of Captain Ahab, Pip will play the wise Fool to Ahab's Lear. To foreshadow Pip's transformation to a major Shakespearean player in the high tragedy of The Whale, Melville compares Pip to a diamond that sparkles most dazzlingly when on display, artificially ("fictitiously") illuminated by gaslight.

Nor smile so, while I write that this little black was brilliant, for even blackness has its brilliancy; behold yon lustrous ebony, panelled in king's cabinets. But Pip loved life, and all life's peaceable securities; so that the panic-striking business in which he had somehow unaccountably become entrapped, had most sadly blurred his brightness; though, as ere long will be seen, what was thus temporarily subdued in him, in the end was destined to be luridly illumined by strange wild fires, that fictitiously showed him off to ten times the natural lustre with which in his native Tolland County in Connecticut, he had once enlivened many a fiddler's frolic on the green; and at melodious even-tide, with his gay ha-ha! had turned the round horizon into one star-belled tambourine. So, though in the clear air of day, suspended against a blue-veined neck, the pure-watered diamond drop will healthful glow; yet, when the cunning jeweller would show you the diamond in its most impressive lustre, he lays it against a gloomy ground, and then lights it up, not by the sun, but by some unnatural gases. Then come out those fiery effulgences, infernally superb; then the evil-blazing diamond, once the divinest symbol of the crystal skies, looks like some crown-jewel stolen from the King of Hell.  
--Moby-Dick, Chapter 93 The Castaway
Lit up with the right machinery, Melville's metaphorical diamond proves to be no ordinary diamond but a "crown-jewel." The Devil's crown jewel, that is, since the "fiery effulgences" emitted by the sparkling diamond figure madness--in Pip, and in crazy Ahab, too. As Melville conceives it, this devilish diamond appears to have been "stolen from the King of Hell."

Melville's figurative diamond in "The Castaway" chapter of Moby-Dick has a famous contemporary analogue in the Koh-i-noor Diamond.

Called
"the brightest jewel in Queen Victoria's crown" (A Chapter on Diamonds, New Monthly Magazine 89 - August 1850; reprinted in Littell's Living Age, January 18, 1851).
the Kohinoor or "Mountain of Light" was on exhibit in London at the Crystal Palace in June 1851, just when Melville was finishing his whaling epic--writing the last chapters, editing and proofreading others. 

Like Melville's metaphorical one, the real Kohinoor was the matchless prize of successive wars, a "crown jewel" that was "stolen" and really did need the help of artfully contrived lighting to display its most dazzling effects.

London Observer, June 15, 1851
From The Times of London, June 13, 1851:
Another point of public interest relates to the Koh-i-Noor. After all the work which has been made about that celebrated diamond our readers will be rather surprised to hear that many people find a difficulty in bringing themselves to believe from its external appearance, that it is anything but a piece of common glass. Amid all the adventures that have befallen it, there is, perhaps, none more odd than that its genuineness should now be doubted. Yet so it is. The fact is, that the "Mountain of Light" has been shockingly ill-used in the cutting, and that when placed in the open light of day, without any arrangements to draw forth its brilliancy, it does not sparkle and gleam like other jewels of the kind. To obviate this disadvantage, and demonstrate to the world that the Koh-i-Noor is a veritable diamond, it is to be surrounded with a canopy or tent, the interior of which is to be lighted with gas, and the idea is that this will develop its beauties as a gem of the purest water, with a certainty and splendour which undoubtedly are not attained at present.
Fifteen days after the above item appeared in the London Times, it was reprinted in the Boston Evening Transcript (June 28, 1851). By the second week in July the news had traveled as far west as Milwaukee.

Found on Newspapers.com

Context makes me think Melville probably had seen the latest news about the Great Exhibition in London when he expanded on the role of Pip near the start of chapter 93 in Moby-Dick. The celebrity of the Koh-i-noor diamond as preeminent spoil of war and its very public status as actual, literal "crown jewel" seem to underlie Melville's image of the artfully illuminated diamond as "some crown-jewel stolen from the King of Hell." Then, too, Melville prefaces the diamond figure with an interesting reference to ebony cabinets. Real cabinets of ebony and alabaster were featured in the "Indian Saloon" of the London Exhibition. Ebony cabinets and the Kohinoor are described together in one report from London correspondent "Quantum," published in The New York Tribune on June 23, 1851.

More formally, the talk of ebony and diamonds occurs in the third paragraph of an introductory narrative sequence that seems tacked on (much of it anyway) for the purpose of foreshadowing. Melville evidently wants to prepare readers better for the development of Pip's character, as Pip changes from merry entertainer to disturbed soulmate. Pip's "brilliancy" was formerly "blurred" and "subdued." So it was with the Kohinoor diamond which seemed "merely paste" (Milwaukee Weekly Wisconsin, July 9, 1851) and needed "arrangements to draw forth its brilliancy" before it could "sparkle and gleam like other jewels of the kind." The tacked-on feeling of Melville's set-up seems acknowledged, implicitly, in the transition back to the main narrative:
"But let us to the story."  --Moby-Dick, The Castaway
For more on the Kohinoor, check out this informative blog post on the Victoria and Albert Museum website by Archivist Nicholas Smith:
Smith opens by citing a new book that I have to get now:
Koh-i-Noor: The History of the World’s Most Infamous Diamond by William Dalrymple and Anita Anand, (Bloomsbury, 2017).

Gleason's Pictorial Drawing-Room Companion - October 25, 1851