Showing posts with label NO in thunder. Show all posts
Showing posts with label NO in thunder. Show all posts

Sunday, June 8, 2014

Hawthorne and Jove in thunder, God in the street

Image Credit: thisisbossi 8641: St Petersburg - Hermitage - Jupiter

OK I get it. Hawthorne is God. After sleeping on it, I think that's Melville's grand truth about Nathaniel Hawthorne. 

In Psalms God speaks from "the secret place of thunder" (Psalm 81, KJV)
I from the secret top of Sinai's mount
In thunder answered thee
--Psalm 81 in A New Version of the Psalms, in Blank Verse (London, 1808)
Melville's Nathaniel God Hawthorne dares to say "NO! in thunder" just like Jove the thunderer. And just like Thomas Heywood's outrageously audacious sky-assaulting Soldan of Babylon in The Four Prentices of London:
Soldan. No.  
Sophy.  Yes.   
Soldan.
Should Jove himself in thunder answer I,
When we say no; we'd pull him from the sky.
--Select Collection of Old Plays
What a Sunday sermon! Obviously all this is blasphemy, which is why Melville hems and haws about the limits of language, the problematic semantics of words like Me, a God, Nature. Out of the dictionary, in the street.

And Hawthorne as God absolutely fascinates Melville elsewhere--the communion and godhead talk in another letter, and that earlier ubiquitous Mosses essay where Melville proclaims Hawthorne, as Jonathan A. Cook shows, "America's Literary Messiah." Citation:
  • Cook, Jonathan A. "Melville's Mosses Review and the Proclamation of Hawthorne as America's Literary Messiah." Leviathan, vol. 10 no. 3, 2008, p. 62-70. Project MUSEhttps://muse.jhu.edu/article/492878.
Something else though, right alongside the blaspheming pride and pagan mythology behind "NO! in thunder" is the association with radical populism: NO! in thunder as an expression of Melville's self-described ruthless democracy. Melville calls the lying class of Yes-men, the Yes-gentry. Gentry, upper-class snobs, not we the people. Not your average Joe, not the sailors and working-men that Gansevoort rallied in 1842 and 1843 at James' Slip. As a celebrated democratic orator in 1844, Gansevoort Melville thundered from the stump, and without speaking the words, breathed the fire of NO! in thunder in that magnificent speech at the Jackson jubilee.

Little wonder then that NO in thunder as a phrase turns up in the Newspaper Archive at genealogybank.com exactly once for the period 1819-1851, in a pro-Polk election-eve editorial headed 

Charge, Freemen!—Charge!!

And here is the veteran Hero, the wise Statesman Jackson (long life to him yet) whose mind is yet strong, though is body is feeble—his opinion of Clay has long been before the people.—He believes that Clay, though a splendid orator, is an unprincipled and dangerous politician. And is this unprincipled and dangerous politician Clay (who indeed has proved himself such in his letters since his nomination) to be put at the helm of this nation? We say NO—and ere three weeks have passed over our heads the people will have said NO, in thunder tones which will echo from hill-top to hill-top—from State to State—from the Madawaska settlements to the Sabine—from the Atlantic to the far Pacific—and it is to be accompanied with the glad tidings of the triumph of Young Hickory, Dallas and Democracy, which will make millions of hears rejoice and be glad.

--Portsmouth New Hampshire Gazette, Saturday, November 2, 1844.
Just at the point where the people are urged to say "NO in thunder tones," the images, words and spirit of this New Hampshire editorial sound most like Gansevoort Melville. Gansevoort, widely credited, or damned, for the blasphemous re-christening of James K. Polk as Young Hickory:

DEMOCRATIC BLASPHEMY.—

Gansevoort Melville, a tearing, screaming, flaming, shallow-headed orator, whose speech the Evening Post studiously omits reporting, is reported in all the papers to have said, in the Park meeting:  
‘As for James K. Polk, the next President of the United States, we, the unterrified Democracy of New York, will re-baptise him; we will give him a name such as Andrew Jackson in the BAPTISM OF FIRE AND BLOOD at New Orleans; we will re-Christen him. Hereafter he shall be known by the name that we now give him—it is Young Hickory.’
Is not this repulsive—is it not blasphemous? Had Mr. Clay uttered the like it would have been stereotyped in handbill style in every Locofoco paper in the country. But we do wrong to make the supposition. Happy are we to learn (from New York Courier) that its mingled spirit of blasphemy and butchery failed to excite even a laugh, much less a cheer, among those present. New Bedford Bulletin.
--as reprinted in the Springfield Republican for Friday, June 14, 1844;
found online in the Newspaper Archives at Genealogy Bank
 There's God in the street for you.

Personally, I'm a sort of monarchist (we desperately need a great Queen), but having worked myself up this morning into a democratic frenzy, I might as well finish off in that spirit, with an Opinion Poll.

What in the world did Melville mean when he wrote that Hawthorne "says NO! in thunder"?

You decide. The international people's choice will be determined by the perfectly accurate and trustworthy poll below. Make your views known please before August 1, 2014. This our first ever Opinion Poll is scheduled to end on Melville's 195th birthday. 

For complicated answers and any other observations, thoughts, corrections, arguments, rants, riffs, whatever you like--please do feel free to use the comment feature on this or any Melvilliana post.

UPDATE: Our original ballot boxes malfunctioned so we threw them out. New high-tech machine is up and running perfectly--in THE CLOUD. let the voting begin! Again!

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Saturday, June 7, 2014

NO! in thunder

What did Melville mean when he proclaimed that Nathaniel "says No! in thunder"? To Hawthorne himself Melville wrote that, in one of those long loving endlessly quoted letters from Arrowhead to Lenox:
Without a second thought I always took Melville's meaning to be Hawthorne was so far from being a soulless YES-man that he aggressively shouted, yelled, roared, thundered his NO! to conventionality and conformity. Protesting loud as thunder, as the capitalization and exclamation mark graphically confirm. (Julian Hawthorne printed NO!)

So I uncritically supposed until reading a footnote to the introduction of Geoffrey Sanborn's Whipscars and Tattoos (Oxford University Press, 2011) citing William Dillingham in Melville's Later Novels (University of Georgia Press, 1986). Sanborn agrees with Dillingham that Melville's "in thunder" means in the middle of a thunder-and-lightning storm, not in a loud "thunderous" voice.

Here's how Dillingham explains "No! in thunder":
Melville wrote Hawthorne in a letter that he admired him for saying “NO! in thunder.” By “in” Melville meant during or in the midst of, and he used thunder as he frequently did to mean lightning. He was complimenting Hawthorne not for writing thunderous prose which expressed a rebellious no, but for a refusal to seek shelter when, figuratively, lightning is striking all around. The lightning-rod salesmen of the world advise us to fear lightning, to run and hide from it, and to cringe in the knowledge of one’s own impotency. It might strike you if you are not prudent and methodical in your precautions. The extraordinary few say no to the fear, and no to the message of purposelessness, and they continue to say no—almost impossible though it is—even after they are struck. So it is with Ahab, though he has to fight mightily. 
-- Melville's Later Novels page 73
Ooh is that good. Making the same connection to Ahab as "Old Thunder" Sanborn highlights warrior pride,
"the feeling that enables one to say "No!" in the midst of a ship-splitting thunderstorm, and to discover, in the act of utterance, that one is speaking in unison with a wide world of other beings, objects, and processes--that one is, in fact, speaking in unison with the thunderstorm." 
-- Whipscars and Tattoos, page 15.
Wow! Thundering in a thunderstorm. So by the time we get to Ahab in the Candles chapter of Moby-Dick we have Hawthorne's "No! in thunder" realized every which way, in every sense. And this (remember?) is also Byron's romantic stance in those stanzas on the alpine storm from canto 3 of Childe Harold's Pilgrimage. Ahab is Byron's "live thunder" personified.

But have we not heard "No in thunder" somewhere before? Well there's a Civil War poem, Our Country's Call by John Pierpont:
Like a whirlwind in its course,
Shall again a rebel force,
Jackson's foot or Stuart's horse,
Pass our sleepy posts;
Roam, like Satan, "to and fro,"
And our Laggard let them go?
No! in thunder answer, "No! 
By the Lord of Hosts!"  -- Rebellion Record
Aha, in thunder answer No! Way before Pierpont, a poem called Weeping Mary:
O one look of comfort give me,
Into pity's arms receive me,
From this heavy load relieve me.
Or in thunder answer—no.
-- The Kilmarnock Mirror
Maybe we need our Bibles now... Psalms, hymns...
The law is looked to for salvation, but the soul is brought to feel that it is in vain that he looks any where else than unto Jesus. "I looked on my right hand, and beheld, but there was no man that would know me: refuge failed me: no man cared for my soul. I cried unto thee, O Lord, I said thou art my refuge, and my portion in the land of the living. Attend unto my cry, for I am brought very low." When the law is appealed to, it answers, "No," in thunder; and it is well the wretch can return and seek another refuge.
-- David Charles, Sermons 
Let's keep looking. Ho, what is this? Thomas Heywood, The Foure Prentices of London:
Soldan. Should Jove himself in thunder answer I [that is, Aye = Yes]
When we say no, we'd pull him from the sky.  --The Ancient British Drama
Jove himself!
And therefore three cheers for Nantucket; and come a stove boat and stove body when they will, for stave my soul, Jove himself cannot. --Moby-Dick Chapter 7, The Chapel
The context from Heywood is very much in the vein of Melville in that letter to Hawthorne, and more so in the figure of Ahab. Having the audacity to treat great powers of the universe as equals. Anybody that bold speaks in thunder, like Jove the god of thunder. Now I'm wondering did Melville read Thomas Heywood's Four Prentices or would he only have to have seen Alexander Dyce's footnoted comment on Tamburlaine in the preface to The Works of Christoper Marlowe? More later... (delivered at Hawthorne and Jove in thunder).