Showing posts with label Harper & Brothers. Show all posts
Showing posts with label Harper & Brothers. Show all posts

Sunday, August 23, 2020

Harper & Brothers publish BATTLE PIECES

This day 154 years ago, Harper & Brothers published Herman Melville's collection of Civil War poems titled Battle-Pieces and Aspects of the War. From the New York Commercial Advertiser, August 23, 1866 via genealogybank.com:
New York Commercial Advertiser - August 23, 1866

NEW PUBLICATIONS.

HARPER & BROTHERS, New York
Publish this Day:

I. BATTLE PIECES
AND
ASPECTS OF THE WAR.

By HERMAN MELVILLE,
Author of "Typee," "Omoo," "Redburn," "Mardi," "Moby Dick," "Whitejacket," &c.
12mo, CLOTH, BEVELED EDGES, $1 75. 

Thursday, February 27, 2020

Harper ads quoting London reviews of The Whale

In January 1852, Harper ads in New York City briefly quoted three British reviews of The Whale. One of these, the mixed review in the London Atlas (First Notice, November 1, 1851), was also excerpted with a positive spin in the January 1852 issue of Harper's New Monthly Magazine. Along with the Atlas, the Harpers quoted the London Leader (November 8, 1851) and Literary Gazette (December 6, 1851). A different, longer excerpt from the Leader showed up in Harper's magazine for April 1852. Herman Melville's brother Allan knew the whole Leader review, as Hershel Parker relates in Herman Melville: A Biography Volume 2, 1851-1891 (Johns Hopkins University Press, 2002) pages 99-100. And reminds in a comment on the Melvilliana post, Moby-Dick widely praised.

These particular London blurbs do seem underwhelming next to the most appreciative and insightful British responses we know about now, for example in the London Morning Advertiser, Morning Post, Weekly News and Chronicle, and Daily News.

The Leader review first glossed The Whale as "a strange, wild weird book, full of poetry and full of interest." But the Harper ad skips the weirdness and poetry. Instead, the text of the Leader blurb has been clipped and combined from bits of another passage, describing Melville's Whale as
"a strange, wild work, with the tangled overgrowth and luxuriant vegetation of American forests, not the trim orderliness of an English park. Criticism may pick many holes in this work; but no criticism will thwart its fascination."
The compressed Leader text still anticipates and answers negative criticism, without getting specific:
"A strange, wild work--no criticism will thwart its fascination." 
On the bright side, the Morning Courier and New-York Enquirer and The Literary World supplemented the London quotations with very high praise from the Washington, DC National Intelligencer ("actually Shakspearean") and New York Tribune (for "the author's originality and power"). In the Literary World for January 17, 1852 the full page ad for "HARPER & BROTHERS' LATEST PUBLICATIONS" listed "MOBY DICK; OR, THE WHALE" as the sixth of nine new works.

The Literary World - January 17, 1852 - page 60
VI.
MOBY DICK; OR, THE WHALE
By HERMAN MELVILLE. 
12mo. muslin, $1 50.  
"A prose Epic on Whaling. Mr. Melville's delineations of character are actually Shakspearean—a quality which is even more prominently evinced In 'Moby Dick' than in any of his antecedent efforts." —National Intelligencer. 
"Nothing like it has ever before been written of the Whale." —Literary World. 
"It gives us a higher opinion of the author's originality and power than even the fragrant and first fruits of his genius, the never to be forgotten 'Typee.' " —N. York Tribune.  
"A strange, wild work—no criticism will thwart its fascination." —Lond, Leader.
"Equal to anything we have ever met with" — London Literary Gazette. 
"That Herman Melville knows more about whales than any from Jonah down, we do really believe."—London Atlas. 
https://books.google.com/books?id=XjwZAAAAYAAJ&pg=PA60&lpg#v=onepage&q&f=false>

Below, the same ad in the New York Courier and Enquirer. In the quote from the National Intelligencer, William A. Butler's word "Shakespearean" is spelled "Shaksperean"; the Literary World version has it "Shakspearean" on January 17 but "Shakspearian" on February 14, 1852.

Morning Courier and New-York Enquirer - January 8, 1852
via FultonHistory
MOBY DICK; OR THE WHALE.
By Herman Melville. 12mo, muslin, $1.50.
"A prose Epic on Whaling. Mr. Melville's delineations of character is actually Shaksperean--a quality which is even more prominently evinced in "Moby-Dick" than in any of his antecedent efforts." --National Intelligencer.
"Nothing like it has ever before been written of the Whale." --Literary World. 
 "It gives us a higher opinion of the author's originality and power than even the fragrant and first fruits of his genius, the never to be forgotten 'Typee.' --N. Y. Tribune. 
"A strange, wild work--no criticism will thwart its fascination." --London Leader.
"Equal to anything we have ever met with." --London Literary Gazette.
"That Herman Melville knows more about whales than any man from Jonah down, we do really believe." --London Atlas. 
Thursday, January 8, 1852 is the first day the new Harper & Brothers ad ran in the Morning Courier and New-York Enquirer. On the previous day, January 7th, the Harper ad for Moby-Dick contained only one quotation--from the London Times review of Typee.

Morning Courier and New-York Enquirer - January 7, 1852
via FultonHistory
The Harper & Brothers ad in the New York Evening Post on January 17, 1852 features the three new quotations from London reviews of The Whale, but no American blurbs.

New York Evening Post - January 17, 1852
via GenealogyBank
In February the Harper ad for Moby-Dick in the Literary World provided a different selection of London quotes. The revised ad drops the Leader and Literary Gazette texts, while substituting a juicier quotation from the London Atlas, and adding a new one from the otherwise negative notice in the London Examiner. The Valentine's Day 1852 version keeps the high praise of Moby-Dick from major American newspapers the New York Tribune and Washington National Intelligencer, but omits the previously included endorsement from the first Literary World review ("Nothing like it has ever before been written of the Whale"). Transcribed below from the New York Literary World, February 14, 1852, page 128:

The Literary World - February 14, 1852 - page 128
Moby Dick;
Or, The Whale. By HERMAN MELVILLE. 12mo. Muslin, $1 50. 
"It gives us a higher opinion of the author's originality and power than even the fragrant and first-fruits of his genius, the never-to-be forgotten 'Typee.'" —New York Tribune. 
"A prose Epic on whaling. His delineation of character is actually Shakspearian —a quality which is even more prominently evinced in 'Moby Dick' than in any of his antecedent efforts."—National Intelligencer.  
"Fully and freely is the book to be commended to all who are curious in such matters." —London Examiner. 
"Herman Melville plunges among the whales as if he loved them, and counted them the grandest and most glorious of the creatures of the globe. Upon the whale, its mysteries and its terrors, he dwells as if the subject had enchantment for him." —London Atlas.
https://books.google.com/books?pg=PA128&lpg=&id=XjwZAAAAYAAJ#v=onepage&q&f=false 

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Saturday, February 15, 2020

Pierre in Louisville KY

George D. Prentice
via NYPL Digital Collections
Here is the one usable review of Melville's Pierre; or, The Ambiguities, later excerpted in publisher's ads that credited (by mistake?) the Philadelphia Evening Bulletin. I'm guessing this review of Pierre in the Louisville Daily Journal might have found its way into the Louisville Evening Bulletin, another daily and weekly newspaper commenced in November 1851 by Journal editor George D. Prentice. Hypothetically then, whoever supplied the Harpers with Louisville excerpts may have correctly attributed them to the "Evening Bulletin," resulting eventually in a mix-up with the better known Philadelphia newspaper, Cummings' Evening Bulletin. Alternatively, perhaps the Philadelphia Evening Bulletin reprinted it from the Louisville Journal.

The August 7, 1852 issue of Cummings' Evening Bulletin did contain an early review of Pierre, as Gary Scharnhorst reports in "More Nineteenth-Century Melville Reviews," Melville Society Extracts Number 89 (June 1992), pages 1-6 at page 2. However, as partially quoted by Scharnhorst the Evening Bulletin in Philadelphia had a different take on the "strange, wild romance" that opens "in a strain of rhapsodical and extravagant poetry" but "soon subsides to a mystical, dark tone of sober prose." The Philadelphia reviewer commented on Melville's "most unnatural characters and improbable scenes" and noted "the terrible catastrophe" with which the novel ends, unsuccessfully: "...the reader closes it with an unsatisfied feeling, for which the interest of the scenes and the evident talent of the author afford no compensation."

By contrast, the Louisville reviewer demonstrates a more poetic sensibility, finding Melville's language "beautiful, and wonderful" as well as "wild." This appreciative critic, maybe Journal editor and poet George Denison Prentice, not only perceives the influences of Dante and Shakespeare, but also finds value in the later authorship chapters as a kind of cautionary tale for ambitious writers. The New York advertisements cited below omit that part of the Louisville review, as well as the more ominous closing reference to the Rev. Charles Robert Maturin as mad Gothic playwright and novelist:
"Take it altogether, Pierre is a rare and singular book. But if Mr. Melville is in search of immortality, we commend him to the study of Maturin's kindred style, and the results."
The Louisville reviewer's attention to specific chapters on authorship starting with "Young America in Literature" is unique in early criticism of Melville's seventh book. As Brian Higgins and Hershel Parker note in Reading Melville's Pierre; or, The Ambiguities (Louisiana State University Press, 2006) at page 198, "reviewers almost unanimously ignored the section on Pierre as an author."

George D. Prentice was the "witty editor of the Louisville Journal" who, as Allan Melville informed Herman on October 17, 1844, had been "right down upon" their brother Gansevoort Melville, campaigning for the Democrats in the south and west. Allan's long (and still "unlocated"?) letter to Herman is transcribed in the 1993 Northwestern-Newberry Edition of Melville's Correspondence, edited by Lynn Horth, pages 565-571. To Allan's point about the abuse of Gansevoort by Prentice: on September 19, 1844 the Extra edition of the Louisville Journal claimed that Gansevoort "made the very poorest and most meagre speech, that we ever heard from a man of any pretension. He had neither logic nor facts nor eloquence nor plausibility nor sense nor even respectable declamation." 

Louisville Daily Journal - August 14, 1852
Found on newspapers.com
Pierre, or the Ambiguities. By Herman Melville. Harper & Brothers. 
Mr. Melville has cut the acquaintance of Polynesia, and has made a domestic story, as wild, wonderful, and tragical as he ever conjured from the tropical wilds of the coral islands of the Pacific. Pierre is a curious mixture of Dante's Inferno, and of Hamlet. It is worthy of its name--"the Ambiguities." Pierre, Lucy Tartan, Mrs. Glendenning, and Isabel are creations that could have come from no other source than Melville's mind. There is ambiguity from one end of the book to the other, but it is clothed with language singularly wild, beautiful, and wonderful. There are slips of the pen, though, at times, that should not disfigure the work of such a master as Melville. For instance, he makes Isabel say: "till some employ should offer."
Still, there may be a moral in this strange and singular work. The aspirant to the honors of magazine literature, and those who have ambition to use author-craft as a staff, may learn some useful lessons from the chapters entitled "Young America in Literature," "A Juvenile Author Reconsidered," "Immature Attempts at a Matured Book," and "The Flower-curtain Lifted from before a Tropical Author; with some remarks on the Transcendental Flesh-brush Philosophy." Take it altogether, Pierre is a rare and singular book. But if Mr. Melville is in search of immortality, we commend him to the study of Maturin's kindred style, and the results.
--Louisville Daily Journal (Louisville, Kentucky) August 14, 1852.
Excerpted in publisher's advertisements and attributed to the Philadelphia Evening Bulletin, for example in the New York Literary World on October 16, 1852


Mr. Melville has cut the acquaintance of Polynesia, and has made a domestic story, as wild, wonderful, and tragical as he ever conjured from the tropical wilds of the coral islands of the Pacific. Pierre is a curious mixture of Dante's Inferno and of Hamlet. Pierre, Lucy Tartan, Mrs. Glendenning, and Isabel, are creations that could have come from no other source than Melville's mind. * * * It is clothed with language singularly wild, beautiful, and wonderful.--Phila. Evening Bulletin. 
and the New York Morning Courier on October 21, 1852.

Morning Courier and New-York Enquirer - October 21, 1852
via FultonHistory
As in the Louisville Journal, the October 1852 Harper ads misspell "Glendinning" as "Glendenning."

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Monday, February 25, 2019

Harper & Brothers booklists


Herman Melville's Works.

The new path struck out by Melville in Typee and Omoo has led to a wide and brilliant fame in a short space of time. Few of the younger American authors are more extensively read or more universally admired. His pictures of primitive social life in the islands of the South Sea possess an irresistible charm. The works devoted to this subject are redolent of the spicy fragrance of the native forests, and glow with the splendid lights of a tropical sky. In his other productions, comic humor is admirably blended with powerful description, grave reflection, and exciting narrative. Surpassed in originality by no recent writer in literature, his works form an epoch in its progress, and are indispensable in every library. --Harper & Brothers' Book-List, 1855
The Harpers continued to offer Moby-Dick (1851) and Pierre (1852) during the latter 1850's. In Capital Letters: Authorship in the Antebellum Literary Market (University of Iowa Press, 2009), David Dowling (page 158) cites the 1855 Harper & Brothers' Book-List as evidence of a restrictive genre classification that boxed Melville's writings in "Voyages and Travels." But the same 1855 table ("Index of Subjects and Works Relating to Them") also places "Melville's works" with those of Bulwer and Dickens in the category of "Fiction" (xiv), while itemizing his first six books (Omoo first) under "Voyages and Travels" (viii).



And Pierre is the first named of Melville's works in the index presented in the back of the 1855 Harpers' Book-List.



The Table of Contents for the 1859 Harper & Brothers' List of Publications assigns "Melville's works" to the category of "Novels" (page xvii) as well as "Travel and Adventure" (xxii). Only Omoo appears in the "South Seas" category (xx). The "Index Arranged Under Authors' Names" in the back of the 1859 Harpers' List now gives "Melville's works" without specifying any particular title.



Of course, Melville's three books of fiction after Pierre could never have been promoted by the Harpers under any genre. Israel Potter (1855) was published by G. P. Putnam & Co.; both The Piazza Tales (1856) and The Confidence-Man (1857) were issued by the doomed firm of Dix & Edwards.

In May 1855 Harper & Brothers promoted all seven of their books by Herman Melville, not excluding Pierre, in booklist-based newspaper ads for "Herman Melville's Works." This one appeared in the New York Morning Courier on May 29, 1855:

New York Morning Courier - May 29, 1855
via Fulton History
Evidently the Harpers were happy to capitalize (if they could) on Melville's newfound success as a magazinist, as well as the early popularity of Typee. In 1860 Melville wanted "a decent publisher" for his completed but never published book of poems--not the Harpers, he specified in detailed memoranda for his brother Allan. Nevertheless, Harper & Brothers in 1866 did publish Battle-Pieces and Aspects of the War, Melville's collection of Civil War poems. Five of the poems in Battle-Pieces also appeared in Harper's New Monthly Magazine.