Monday, August 16, 2021

The Two Temples by Herman Melville

But for all that, I will not be defrauded of my natural rights.
In the first part of "The Two Temples," Melville's take on urban elitism and the pretensions of one Manhattan gatekeeper in particular was too hot for Putnam's Monthly Magazine. Editor Charles F. Briggs regretted having to reject such "pungent satire" but did anyhow. For more about the real-life target and architecture of "Temple First," see the 1973 article by Beryl Rowland, Grace Church and Melville's Story of "The Two Temples", accessible on JSTOR: 
Rowland, Beryl. “Grace Church and Melville's Story of ‘The Two Temples.’” Nineteenth-Century Fiction, vol. 28, no. 3, 1973, pp. 339–346. JSTOR, www.jstor.org/stable/2933004. Accessed 17 Aug. 2021.
Fortunately the 1854 story has survived in the manuscript version of The two temples now at Houghton Library, Harvard. It's mostly in the handwriting of Herman's sister Augusta Melville:
The two temples. A. Ms.; [n.p., n.d.] 18 num. l.. Herman Melville papers, MS Am 188-188.6, MS Am 188, (389) RESTRICTED. Houghton Library, Harvard College Library. https://id.lib.harvard.edu/ead/c/hou00338c00425/catalog Accessed August 16, 2021

Banned in Melville's lifetime, "The Two Temples" is transcribed herein from volume 13 in The Works of Herman Melville (London: Constable and Company Ltd, 1924), pages 173-191; edited by Raymond W. Weaver. Google-digitized volumes in the Constable edition are available online courtesy of HathiTrust Digital Library. Later print editions include The Complete Stories of Herman Melville, edited by Jay Leyda (Random House, 1949) at pages 149-165; The Piazza Tales and Other Prose Pieces, 1839-1860 edited by Harrison Hayford, Alma A. MacDougall, G. Thomas Tanselle and others (Northwestern University Press and The Newberry Library, 1987) at pages 303-315; and Tales, Poems, and Other Writings, edited by John Bryant (Modern Library, 2002) at pages 134-146. 


Albany NY Evening Journal - November 26, 1834

THE TWO TEMPLES

( Dedicated to Sheridan Knowles. )


TEMPLE FIRST 


"THIS is too bad," said I, "here have I tramped this blessed Sunday morning, all the way from the Battery, three long miles, for this express purpose, prayer-book under arm; here I am, I say, and, after all, I can't get in.


"Too bad. And how disdainful the great, fat-paunched, beadle-faced man looked, when in answer to my humble petition, he said they had no galleries. Just the same as if he'd said, they didn't entertain poor folks. But I'll wager something that had my new coat been done last night, as the false tailor promised, and had I, arrayed therein this bright morning, tickled the fat-paunched, beadle-faced man's palm with a bank-note, then, gallery or no gallery, I would have had a fine seat in this marble buttressed, stained-glass, spick-and-span new temple.

"Well , here I am in the porch, very politely bowed out of the nave. I suppose I'm excommunicated; excluded, anyway. That 's a noble string of flashing carriages drawn up along the curb; those champing horses, too, have a haughty curve to their foam-flaked necks. Property of those “miserable sinners” inside, I presume. I don't a bit wonder they unreservedly confess to such misery as that. See the gold hat-bands too, and other gorgeous trimmings, on those glossy groups of low-voiced gossipers near by. If I were in England now, I should think those chaps a company of royal dukes, right honourable barons, etc. As it is, though, I guess they are only lackeys. By the way, here I dodge about, as if I wanted to get into their aristocratic circle. In fact, it looks a sort of lackeyish to be idly standing outside a fine temple, cooling your heels, during service. I had best move back to the Battery again, peeping into my prayer-book as I go. But hold; don't I see a small door? Just in there, to one side, if I don't mistake, is a very low and very narrow vaulted door. None seem to go that way. Ten to one , that identical door leads up into the tower. And now that I think of it, there is usually in these splendid, new-fashioned Gothic temples, a curious little window high over the orchestra and every thing else, away up among the gilded clouds of the ceiling's frescoes; and that little window, seems to me, if one could but get there, ought to command a glorious bird's eye view of the entire field of operations below. I guess I'll try it. No one in the porch now. The beadle-faced man is smoothing down some ladies' cushions, far up the broad aisle, I dare say. Softly now. If the small door ain't locked, I shall have stolen a march upon the beadle faced man, and secured a humble seat in the sanctuary, in spite of him. Good! Thanks for this! The door is not locked. Bell-ringer forgot to lock it, no doubt. Now, like any felt-footed grimalkin, up I steal among the leads."

Ascending some fifty stone steps along a very narrow curving stairway, I found myself on a blank platform forming the second story of the huge square tower. I seemed inside some magic-lantern. On three sides, three gigantic Gothic windows of richly dyed glass, filled the otherwise meagre place with all sorts of sunrises and sunsets, lunar and solar rainbows, falling stars, and other flaming fireworks and pyrotechnics. But after all, it was but a gorgeous dungeon; for I couldn't look out, any more than if I had been the occupant of a basement cell in "the Tombs." With some pains, and care not to do any serious harm, I contrived to scratch a minute opening in a great purple star forming the centre of the chief compartment of the middle window; when peeping through, as through goggles, I ducked my head in dismay. The beadle-faced man, with no hat on his head, was just in the act of driving three ragged little boys into the middle of the street; and how could I help trembling at the apprehension of his discovering a rebellious caitiff like me peering down on him from the tower? For, in stealing up here, I had set at naught his high authority. He whom he thought effectually ejected, had burglariously returned. For a moment I was almost ready to bide my chance, and get to the side-walk again with all dispatch. But another Jacob's ladder of lofty steps wooden ones, this time — allured me to another and still higher flight, — in sole hopes of gaining that one secret window where I might, at distance, take part in the proceedings. 

Presently I noticed something which, owing to the first marvellous effulgence of the place, had remained unseen till now. Two strong ropes, dropping through holes in the rude ceiling high overhead, fell a sheer length of sixty feet, right through the centre of the space, and dropped in coils upon the floor of the huge magic-lantern. Bell-ropes these, thought I, and quaked. For if the beadle-faced man should learn that a grimalkin was somewhere prowling about the edifice, how easy for him to ring the alarm. Hark! — ah, that's only the organ — yes — it's the 'Venite, exultemus Domino.' Though an insider in one respect, yet am I but an outsider in another. But for all that, I will not be defrauded of my natural rights. Uncovering my head, and taking out my book, I stood erect, midway up the tall Jacob's ladder, as if standing among the congregation; and in spirit, if not in place, participated in those devout exultings. That over, I continued my upward path; and after crossing sundry minor platforms and irregular landings all the while on a general ascent, at last I was delighted by catching sight of a small round window in the otherwise dead-wall side of the tower, where the tower attached itself to the main building. In front of the window was a rude narrow gallery, used as a bridge to cross from the lower stairs on the opposite. 

As I drew nigh the spot, I well knew from the added clearness with which the sound of worship came to me, that the window did indeed look down upon the entire interior. But I was hardly prepared to find that no pane of glass, stained or unstained, was to stand between me and the far-under aisles and altar. For the purpose of ventilation, doubtless, the opening has been left unsupplied with sash of any sort. But a sheet of fine-woven, gauzy wire-work was in place of that. When, all eagerness, and open book in hand, I first advanced to stand before the window, I involuntarily shrank, as from before the mouth of a furnace, upon suddenly feeling a forceful puff of strange, heated air, blown, as by a blacksmith's bellows, full into my face and lungs. Yes, thought I, this window is doubtless for ventilation. Nor is it quite so comfortable as I fancied it might be. But beggars must not be choosers. The furnace which makes the people below there feel so snug and cosy in their padded pews, is to me, who stand here upon the naked gallery, cause of grievous trouble. Besides, though my face is scorched, my back is frozen. But I won't complain. Thanks for this much, anyway, that by hollowing one hand to my ear, and standing a little sideways out of the more violent rush of the torrid current, I can at least hear the priest sufficiently to make my responses in the proper place. Little dream the good congregation away down there, that they have a faithful clerk away up here. Here, too, is a fitter place for sincere devotions, where, though I see, I remain unseen. Depend upon it, no Pharisee would have my pew. I like it, and admire it too, because it is so very high. Height, somehow, hath devotion in it. The arch-angelic anthems are raised in a lofty place. All the good shall go to such an one. Yes, heaven is high.

As thus I mused, the glorious organ burst, like an earthquake, almost beneath my feet; and I heard the invoking cry — "Govern them and lift them up forever!" Then down I gazed upon the standing human mass, far, far below, whose heads, gleaming in the many-coloured window-stains, showed like beds of spangled pebbles flashing in a Cuban sun. So, at least, I knew they needs would look, if but the wire-woven screen were drawn aside. That wire-woven screen had the effect of casting crape upon all I saw. Only by making allowances for the crape, could I gain a right idea of the scene disclosed.

Surprising, most surprising, too, it was. As said before, the window was a circular one; the part of the tower where I stood was dusky-dark; its height above the congregation-floor could not have been less than ninety or a hundred feet; the whole interior temple was lit by naught but glass dimmed, yet glorified with all imaginable rich and russet hues; the approach to my strange look-out, through perfect solitude, and along rude and dusty ways, enhanced the theatric wonder of the populous spectacle of this sumptuous sanctuary. Book in hand, responses on my tongue, standing in the very posture of devotion, I could not rid my soul of the intrusive thought, that, through some necromancer's glass, I looked down upon some sly enchanter's show. 

via NYPL Digital Collections

At length the lessons being read, the chants chanted, the white-robed priest, a noble-looking man, with a form like the incomparable Talma's, gave out from the reading desk the hymn before the sermon, and then through a side-door vanished from the scene. In good time I saw the same Talma-like and noble-looking man reappear through the same side-door, his white apparel wholly changed for black.

By the melodious tone and persuasive gesture of the speaker, and the all-approving attention of the throng, I knew the sermon must be eloquent and well adapted to an opulent auditory; but owing to the priest's changed position from the reading-desk to the pulpit, I could not so distinctly hear him now as in the previous rites. The text, however, repeated at the outset, and often after quoted, I could not but plainly catch: "Ye are the salt of the earth."

At length the benediction was pronounced over the mass of low-inclining foreheads; hushed silence, intense motionlessness followed for a moment, as if the congregation were one of buried, not of living men; when, suddenly, miraculously, like the general rising at the Resurrection, the whole host came to their feet, amid a simultaneous roll, like a great drum-beat, from the enrapturing, overpowering organ. Then, in three freshets, — all gay, sprightly nods and becks — the gilded brooks poured down the gilded aisles. 

Time for me, too, to go, thought I, as snatching one last look upon the imposing scene, I clasped my book and put it in my pocket. The best thing I can do just now is to slide out unperceived amid the general crowd. Hurrying down the great length of ladder, I soon found myself at the base of the last stone step of the final flight; but started aghast — the door was locked! The bell-ringer, or more probably that for ever prying, suspicious-looking, beadle-faced man has done this. He would not let me in at all at first, and now, with the greatest inconsistency, he will not let me out. But what is to be done? Shall I knock on the door? That will never do. It will only frighten the crowd streaming by, and no one can adequately respond to my summons, except the beadle-faced man; and if he sees me, he will recognise me, and perhaps roundly rate me — poor, humble worshipper — before the entire public. No, I won't knock. But what then?

For a long time I thought and thought, till at last all was hushed again. Presently a clicking sound admonished me that the church was being closed. In sudden desperation, I gave a rap on the door. But too late. It was not heard. I was left alone and solitary in a temple which but a moment before was more populous than many villages.

A strange trepidation of gloom and loneliness gradually stole over me. Hardly conscious of what I did, I reascended the stone steps; higher and higher still, and only paused when once more I felt the hot-air blast from the wire-woven screen. Snatching another peep down into the vast arena, I started at its hushed desertness. The long ranges of grouped columns down the nave, the clusterings of them into copses about the corners of the transept; together with the subdued, dim-streaming light from the autumnal glasses; all assumed a secluded and deep-wooded air. I seemed gazing from Pisgah into the forests of old Canaan. A Puseyitish painting of a Madonna and Child, adorning a lower window , seemed showing to me the sole tenants of this painted wilderness — the true Hagar and her Ishmael.—

With added trepidation I stole softly back to the magic-lantern platform; and revived myself a little by peeping through the scratch, upon the unstained light of open day. But what is to be done, thought I again.

I descended to the door; listened there; heard nothing. A third time climbing the stone steps, once more I stood in the magic-lantern, while the full nature of the more than awkwardness of my position came over me.

The first persons who will re-enter the temple, mused I, will doubtless be the beadle-faced man and the bell-ringer. And the first man to come up here, where I am, will be the latter. Now what will be his natural impressions upon first descrying an unknown prowler here? Rather disadvantageous to said prowler's moral character. Explanations will be vain. Circumstances are against me. True, I may hide, till he retires again. But how do I know that he will then leave the door unlocked? Besides, in a position of affairs like this, it is generally best, I think, to anticipate discovery, and by magnanimously announcing yourself, forestall an inglorious detection. But how announce myself? Already have I knocked, and no response. That moment my eye, impatiently ranging round about, fell upon the bell ropes. They suggested the usual signal made at dwelling houses to convey tidings of a stranger's presence. But I was not an outside caller; alas, I was an inside prowler. But one little touch of that bell-rope would be sure to bring relief. I have an appointment at three o ' clock. The beadle-faced man must naturally reside very close by the church. He well knows the peculiar ring of his own bell. The slightest possible hum would bring him flying to the rescue. Shall I, or shall I not? But I may alarm the neighbourhood. Ah, no; the merest tingle, not by any means a loud, vociferous peal. Shall I? Better voluntarily bring the beadle-faced man to me, than be involuntarily dragged out from this most suspicious hiding-place. I have to face him, first or last. Better now than later. Shall I?

No more. Creeping to the rope, I gave it a cautious twitch. No sound. A little less warily. All was dumb. Still more strongly. Horrors! My hands, instinctively clapped to my ears, only served to condense the appalling din. Some undreamed-of mechanism seemed to have been touched. The bell must have thrice revolved on its thunderous axis, multiplying the astounding reverberation.

My business is effectually done this time, thought I, all in a tremble. Nothing will serve me now but the reckless confidence of innocence reduced to desperation.

In less than five minutes I heard a running noise beneath me; the lock of the door clicked, and up rushed the beadle-faced man, the perspiration starting from his cheeks.

"You ! Is it you ?" The man I turned away this very morning, skulking here? You dare to touch that bell? Scoundrel !"

And ere I could defend myself , seizing me irresistibly in his powerful grasp, he tore me along by the collar, and dragging me down the stairs, thrust me into the arms of three policemen, who, attracted by the sudden toll of the bell, had gathered curiously about the porch.

All remonstrances were vain. The beadle-faced man was bigoted against me. Represented as a lawless violator, and a remorseless disturber of the Sunday peace, I was conducted to the Halls of Justice. Next morning, my rather gentlemanly appearance procured me a private hearing from the judge. But the beadle-faced man must have made a Sunday night call on him. In spite of my coolest explanations, the circumstances of the case were deemed so exceedingly suspicious, that only after paying a round fine, and receiving a stinging reprimand, was I permitted to go at large, and pardoned for having humbly indulged myself in the luxury of public worship. 

TEMPLE SECOND 


A stranger in London on Saturday night and without a copper! What hospitalities may such an one expect? What shall I do with myself this weary night? My landlady won't receive me in her parlour. I owe her money. She looks like flint on me. So in this monstrous rabblement must I crawl about till, say, ten o ' clock, and then slink home to my unlighted bed.

The case was this: The week following my inglorious expulsion from the transatlantic temple, I had packed up my trunks and damaged character, and repaired to the fraternal, loving town of Philadelphia. There chance threw into my way an interesting young orphan lady and her aunt-duenna; the lady rich as Cleopatra, but not as beautiful; the duenna lovely as Charmian, but not so young. For the lady's health, prolonged travel had been prescribed. Maternally connected in old England, the lady chose London for her primal port. But ere securing their passage, the two were looking around for some young physician, whose disengagement from pressing business might induce him to accept, on a moderate salary, the post of private Esculapius and knightly companion to the otherwise unprotected pair. The more necessary was this, as not only the voyage to England was intended, but an extensive European tour to follow.

Enough. I came; I saw; I was made the happy man. We sailed. We landed on the other side; when, after two weeks of agonised attendance on the vacillations of the lady, I was very cavalierly dismissed, on the score that the lady's maternal relations had persuaded her to try, through the winter, the salubrious climate of the foggy Isle of Wight, in preference to the fabulous blue atmosphere of the Ionian Isles. So much for national prejudice. 

Nota Bene.— The lady was in a sad decline.—

Having ere sailing been obliged to anticipate nearly a quarter's pay to foot my outfit bills, I was dismally cut adrift in Fleet Street without a solitary shilling. By disposing, at certain pawnbrokers, of some of my less indispensable apparel, I had managed to stave off the more slaughterous onsets of my landlady, while diligently looking about for any business that might providentially appear.

So on I drifted amid those indescribable crowds which every seventh night pour and roar through each main artery, and block the by-veins of great London, the Leviathan. Saturday night it was; and the markets and the shops, and every stall and counter were crushed with the one unceasing tide. A whole Sunday's victualling for three millions of human bodies, was going on. Few of them equally hungry with my own, as through my spent lassitude, the unscrupulous human whirlpools eddied me aside at corners, as any straw is eddied in the Norway Maelstrom. What dire suckings into oblivion must such swirling billows know! Better perish 'mid myriad sharks in mid Atlantic, than die a penniless stranger in Babylonian London. Forlorn, outcast, without a friend, I staggered on through three millions of my own human kind. The fiendish gas-lights shooting their Tartarean rays across the muddy, sticky streets, lit up the pitiless and pitiable scene.

Well, well, if this were but Sunday now, I might conciliate some kind female pew-opener, and rest me in some inn-like chapel upon some stranger's outside bench. But it is Saturday night. The end of the weary week, and all but the end of weary me.

Disentangling myself at last from those skeins of Pandemonian lanes which snarl one part of the metropolis between Fleet Street and Holborn, I found myself at last in a wide and far less noisy street, a short and shopless one, leading up from the Strand, and terminating at its junction with a crosswise avenue. The comparative quietude of the place was inexpressively soothing. It was like emerging upon the green enclosure surrounding some cathedral church, where sanctity makes all things still. Two lofty brilliant lights attracted me in this tranquil street. Thinking it might prove some moral or religious meeting, I hurried toward the spot; but was surprised to see two tall placards announcing the appearance that night, of the stately Macready in the part of Cardinal Richelieu. Very few loiterers hung about the place, the hour being rather late, and the play-bill hawkers mostly departed, or keeping entirely quiet. This theatre indeed, as I afterwards discovered, was not only one of the best in point of acting, but likewise one of the most decorous in its general management, inside and out. In truth, the whole neighbourhood, as it seemed to me issuing from the jam and uproar of those turbulent tides against which, or borne on irresistibly by which, I had so long been swimming — the whole neighbourhood, I say, of this pleasing street seemed in good keeping with the character imputed to its theatre.

Glad to find one blessed oasis of tranquillity, I stood leaning against a column of the porch, and striving to lose my sadness in running over one of the huge placards. No one molested me. A tattered little girl, to be sure, approached with a hand-bill extended, but marking me more narrowly, retreated; her strange skill in physiognomy at once enabling her to determine that I was penniless. As I read, and read — for the placard, of enormous dimensions, contained minute particulars of each successive scene in the enacted play — gradually a strong desire to witness this celebrated Macready in this his celebrated part stole over me. 

By one act, I might rest my jaded limb, and more than jaded spirits. Where else could I go for rest, unless I crawled into my cold and lonely bed far up in an attic of Craven Street, looking down upon the muddy Phlegethon of the Thames. Besides, what I wanted was not merely rest, but cheer; the making one of many pleased and pleasing human faces; the getting into a genial humane assembly of my kind; such as, at its best and highest, is to be found in the unified multitude of a devout congregation. But no such assemblies were accessible that night, even if my unbefriended and rather shabby air would overcome the scruples of those fastidious gentry with red gowns and long gilded staves, who guard the portals of the first-class London tabernacles from all profanation of a poor, forlorn, and fainting wanderer like me. Not inns, but ecclesiastical hotels, where the pews are the rented chambers.

No use to ponder, thought I, at last; it is Saturday night, not Sunday; and so, a theatre only can receive me. So powerfully in the end did the longing to get into the edifice come over me, that I almost began to think of pawning my overcoat for admittance. But from this last infatuation I was providentially withheld by a sudden cheery summons, in a voice unmistakably benevolent. I turned, and saw a man who seemed to be some sort of a working man .

"Take it," said he, holding a plain red ticket toward me, full in the gas-light. “ You want to go in; I know you do. Take it. I am suddenly called home. There — hope you'll enjoy yourself. Good-bye."

Blankly and mechanically I had suffered the ticket to be thrust into my hand, and now stood quite astonished, bewildered, and for the time, ashamed. The plain fact was, I had received charity; and for the first time in my life. Often in the course of my strange wanderings I had needed charity, but never had asked it, and certainly never, ere this blessed night, had been offered it. And a stranger, and in the very maw of the roaring London, too! Next moment my sense of foolish shame departed, and I felt a queer feeling in my left eye, which , as sometimes is the case with people, was the weaker one; probably from being on the same side with the heart.

I glanced round eagerly. But the kind giver was no longer in sight. I looked upon the ticket. I understood. It was one of those checks given to persons inside a theatre when for any cause they desire to step out a moment. Its presentation ensures unquestioned readmittance. 

"Shall I use it? " mused I — "what? It's charity. But if it be gloriously right to do a charitable deed, can it be ingloriously wrong to receive its benefit? No one knows you; go boldly in.— Charity.— Why these unvanquishable scruples? All your life, naught but charity sustains you, and all others in the world. Maternal charity nursed you as a babe; paternal charity fed you as a child; friendly charity got you your profession; and to the charity of every man you meet this night in London, are you indebted for your unattempted life. Any knife, any hand of all the millions of knives and hands in London, has you this night at its mercy. You, and all mortals, live but by sufferance of your charitable kind; charitable by omission, not performance. Stush for your self-upbraidings, and pitiful, poor, shabby pride, you friendless man without a purse. Go in."

Debate was over. Marking the direction from which the stranger had accosted me, I stepped that way; and soon saw a low-vaulted, inferior-looking door on one side of the edifice. Entering, I wandered on and up, and up and on again, through various doubling stairs and wedge-like, ill-lit passages, whose bare boards much reminded me of my ascent of the Gothic tower on the ocean's far other side. At last I gained a lofty platform, and saw a fixed human countenance facing me from a mysterious window of a sort of sentry-box or closet. Like some saint in a shrine, the countenance was illuminated by two smoky candles. I divined the man. I exhibited my diploma, and he nodded me to a little door beyond; while a sudden burst of orchestral music admonished me. I was now very near my destination, and also revived the memory of the organ anthems I had heard while on the ladder of the tower at home.

Next moment, the wire-woven gauzy screen of the ventilating window in that same tower seemed enchantedly reproduced before me. The same hot blast of stifling air once more rushed into my lungs. From the same dizzy altitude, through the same fine-spun, vapoury, crapey air; far, far down upon just such a packed mass of silent human beings; listening to just such grand harmonies; I stood within the topmost gallery of the temple. But hardly alone and silently as before. This time I had company. Not of the first circles, and certainly not of the dress-circle; but most acceptable, right welcome, cheery company, to otherwise uncompanioned me. Quiet, well-pleased working men, and their glad wives and sisters, with here and there an aproned urchin, with all-absorbed, bright face, vermillioned by the excitement and the heated air, hovering like a painted cherub over the vast human firmament below. The height of the gallery was in truth appalling. The rail was low. I thought of deep-sea-leads, and the mariner in the vessel's chains, drawing up the line, with his long-drawn musical accompaniment. And like beds of glittering coral, through the deep sea of azure smoke, there, far down, I saw the jewelled necks and white sparkling arms of crowds of ladies in the semicirque. But, in the interval of two acts, again the orchestra was heard; some inspiring national anthem was now played. As the volumed sound came undulating up, and broke in showery spray and foam of melody against our gallery rail, my head involuntarily was bowed, my hand instinctively sought my pocket. Only by a second thought did I check my momentary lunacy, and remind myself that this time I had no small morocco book with me, and that this was not the house of prayer. 

Quickly was my wandering mind — preternaturally affected by the sudden translation from the desolate street to this bewildering and blazing spectacle — arrested in its wanderings, by feeling at my elbow a meaning nudge; when turning suddenly, I saw a sort of coffee pot and pewter mug hospitably presented to me by a ragged, but good-natured-looking boy. "Thank you," said I, "I won't take any coffee, I guess."

"Coffee? — I guess? — ain't you a Yankee?'' 

"Ay, boy; true blue."

"Well, dad's gone to Yankee-land, a-seekin' of his fortin; so take a penny mug of ale, do, Yankee, for poor dad's sake."

Out from the tilted coffee-pot-looking can came a coffee-coloured stream, and a small mug of humming ale was in my hand.

“I don't want it, boy. The fact is, my boy, I have no penny by me. I happened to leave my purse at my lodgings."

"Never do you mind, Yankee; drink to honest dad."

"With all my heart, you generous boy; here's immortal life to him!"

He stared at my strange burst, smiled merrily, and left me, offering his coffee-pot in all directions, and not in vain.

'Tis not always poverty to be poor, mused I; one may fare well without a penny. A ragged boy may be a prince-like benefactor. 

That unpurchased pennyworth of ale revived my drooping spirits strangely. Stuff was in that barley malt; a most sweet bitterness in those blessed hops. God bless the glorious boy!

The more I looked about me in this lofty gallery, the more was I delighted with its occupants. It was not spacious. It was, if anything, rather contracted, being the very cheapest portion of the house, where very limited attendance was expected; embracing merely the very crown of the topmost semicircle; and so commanding, with a sovereign outlook, and imperial downlook, the whole theatre, with the expanded stage directly opposite, though some hundred feet below. As at the tower, peeping into the transatlantic temple, so stood I here, at the very mainmast-head of all the interior edifice.

Such was the decorum of this special theatre, that nothing objectionable was admitted within its walls. With an unhurt eye of perfect love, I sat serenely in the gallery, gazing upon the pleasing scene, around me and below. Neither did it abate from my satisfaction to remember that Mr. Macready, the chief actor of the night, was an amiable gentleman, combining the finest qualities of social and Christian respectability with the highest excellence in his particular profession; for which last he had conscientiously done much, in many ways, to refine, elevate, and chasten. 

William Charles Macready by John Jackson

But now the curtain rises, and the robed Cardinal advances. How marvellous this personal resemblance! He looks every inch to be the self-same stately priest I saw irradiated by the glow-worm dyes of the pictured windows from my high tower-pew. And shining as he does, in the rosy reflexes of these stained walls and gorgeous galleries, the mimic priest down there; he, too, seems lit by Gothic blazonings. — Hark! The same measured, courtly, noble tone. See! the same imposing attitude. Excellent actor is this Richelieu!

He disappears behind the scenes. He slips, no doubt, into the Green Room. He reappears somewhat changed in his habiliments. Do I dream, or is it genuine memory that recalls some similar thing seen through the woven wires?

The curtain falls. Starting to their feet, the enraptured thousands sound their responses deafeningly, unmistakably sincere. Right from the undoubted heart. I have no duplicate in my memory of this. In earnestness of response, this second temple stands unmatched. And hath mere mimicry done this? What is it then to act a part?

But now the music surges up again, and borne by that rolling billow, I, and all the gladdened crowd, are harmoniously attended to the street. 

I went home to my lonely lodging and slept not much that night, for thinking of the First Temple and the Second Temple; and how that, at home in my own land, I was thrust out from the one, and, a stranger in a strange land, found sterling charity in the other.



Sunday, August 15, 2021

Melvilliana: snugged in the arms of Thorvaldsen's Night

Melvilliana: snugged in the arms of Thorvaldsen's Night: Rest therefore, free from all despite, Snugged in the arms of comfortable night. These concluding lines of Herman Melville's poem Immolated...

This was the first post on Melvilliana (as revived on Google's Blogger platform), published August 15, 2011--ten years ago today!

Thursday, August 12, 2021

Welcome beautiful outlaw people who are fully vaccinated with valid papers or digital pass approved by CDC, photo ID and mask.

Given the rising COVID-19 counts and breakthrough cases in the NYC metropolitan area, Bowery Ballroom & Mercury Lounge’s policy now requires guests to be fully vaccinated against COVID-19. This policy will be in place until further notice.

Upon arrival, all guests must present a photo ID along with proof that they meet the CDC definition of being fully vaccinated against COVID-19.

Proof of vaccination may be given in the form of a paper copy, excelsior pass, Key to NYC Pass (upon release), or digital image of a guest’s vaccines card.

In addition to the vaccination policy, New York City continues to encourage masks for all indoor gatherings, except while you are actively eating or drinking.

We will continue to monitor regulations and local cases to inform our policy and keep events as safe as possible for our fans, artists, and staff.

Thu Aug, 12 2021
Mercury Lounge 217 East Houston St., New York
Please Note: Proof of Covid-19 vaccination required for entry.

God knows I love Elizabeth Cook and Outlaw Country on Sirius XM, but this is too bad. Fun fact: Herman Melville wrote a story about not being welcome in New York City at a cool venue very like Mercury Lounge. Rejected in his day as too provocative, Melville's banned tale of The Two Temples fortunately survives in manuscript. In print, "The Two Temples" may be found in The Piazza Tales and Other Prose Pieces, 1839-1860 (Northwestern University Press and The Newberry Library, 1987), edited by Harrison Hayford, Alma A. MacDougall, G. Thomas Tanselle and others, at pages 303-315. Also available in Tales, Poems, and Other Writings, edited by John Bryant (Modern Library, 2002). The Manhattan hot-spot is "Temple First." If you're shut out of Mercury Lounge tonight like me, head south to Atlanta and try the Clermont Lounge on Ponce. Temple Second!



Related post:

Wednesday, August 11, 2021

Wordsworth's Prelude, anonymous Literary World review

An anonymous review of Wordsworth's poem The Prelude appeared in The Literary World on August 31, 1850, one week after the same journal printed the second part of Herman Melville's now famous review essay, Hawthorne and His Mosses. The copy of the Literary World volume 7 at Princeton University is Google-digitized and accessible courtesy of HathiTrust Digital Library. 

The unsigned 1850 review of The Prelude is wrongly attributed to Professor Henry Reed in Hershel Parker's Historical Note for the scholarly edition of Melville's Published Poems (Northwestern University Press and The Newberry Library, 2009) at page 409. More plausibly, in a 1981 essay on "Melville & the Berkshires," Parker credited Evert Duyckinck for the "predictable" August 31, 1850 review. There Parker called it
"a set of random quotations from various parts of the poem intermingled with pious, humbugging commonplaces."

-- Hershel Parker on Melville & The Berkshires: Emotion-Laden Terrain, "Reckless Sky-Assaulting Mood," and Encroaching Wordsworthianism in American Literature: The New England Heritage, ed. James Nagel and Richard Astro (Garland, 1981) pages 65-80 at page 68.

Considering Evert Duyckinck's editorial work on Melville's great Hawthorne essay, and the intensity of their summertime socializing in Berkshire, it would not be too surprising to find some trace of Melville's influence in the review of Wordsworth's The Prelude that appeared in The Literary World on the last day of August 1850. 

Anonymous review of The Prelude, page 167
 Literary World - August 31, 1850

Anonymous review of The Prelude, page 168
 Literary World - August 31, 1850

Henry Reed's "Second Paper" on Wordsworth appeared in the Literary World on September 14, 1850. "Second Paper" does mean there was a "First Paper" on Wordsworth, but the anonymous review of The Prelude on August 31, 1850 was not it. On June 8, 1850 the Literary World announced the first one this way:

A paper on Wordsworth from Prof. Henry Reed, communicating passages from the Poet's Correspondence, in our next.

As promised, Reed's first paper on Wordsworth appeared in the next issue of the Literary World on June 15, 1850. Both papers were submitted from Philadelphia and subscribed, HENRY REED.

https://hdl.handle.net/2027/njp.32101064475088?urlappend=%3Bseq=173

Passages in Advance / from Wordsworth's New Poem "The Prelude" were printed from the forthcoming Appleton's edition in The Literary World for August 10, 1850. These passages were selected and sent from Pittsfield by Evert A. Duyckinck when he was much with Melville, as revealed in Duyckinck's letter to Margaret Panton Duyckinck dated August 4, 1850:

My dear wife:

I dropped you a line yesterday in a parcel to the office which Melville says I must have been tempted to make up by the Yankee atmosphere. I have the proof sheet of Appleton's edition of Wordsworth's posthumous poem "The Prelude" with me to read & use at leisure in the paper. [Cornelius] Mathews told me that [Rufus W.] Griswold was about to publish a whole book of it in his next week's magazine, so I concluded that my next week's paper should have its share & made up a parcel by mail with the necessary directions at once. So you see that the Literary World can be edited at a distance of 160 miles--so that need be no obstacle to our settling here if you choose....  --as transcribed in Steven Olsen-Smith, Melville in His Own Time (University of Iowa Press, 2015) page 34.

The issue of the New York Literary World  with "Passages in Advance" mailed from Pittsfield also contains a review of  Aesop's Fables that Herman Melville might have written. 

The January 6th "Insurrection" Is a Lie! Nick Searcy Discusses with Chri...

Monday, August 9, 2021

Midsummer madness

Transcribed herein, a previously uncollected review of Mardi: and a Voyage Thither in the London Standard of Freedom on March 31, 1849; found with recently digitized issues on The British Newspaper Archive. Not in Herman Melville: The Contemporary Reviews, edited by Brian Higgins and Hershel Parker (Cambridge University Press, 1995; paperback 2009) and not listed in Kevin J. Hayes and Hershel Parker, Checklist of Melville Reviews (Northwestern University Press, 1991); revised from the 1975 Checklist by Steven Mailloux and Hershel Parker. 
MARDI: AND A VOYAGE THITHER. By HERMAN MELVILLE, Author of “Typee,” and “Omoo.” 3 vols. London: Bentley.

THREE volumes of Midsummer madness. The author wrote “Typee” because he had something to write about. He has written “Mardi” because he had nothing to write about, and excessively wished that he had. The story, so far as it has any story, is this. The author professes to be a sailor on board a whaler in the South sea, in quest of the cachelot or spermaceti whale. After three years’ voyage without taking a fin, a pretty tolerable time, the captain resolves to make for the north-west coast of America, and in the bay of Kamschatska, to try for the true whale. Here the sailor-author demurs, declares that is not in the bond, and desires the captain to put him ashore. Where? Anywhere. The captain tells him to get ashore as he can; a comfortable speech, as the nearest land is a thousand miles off, and that a chain of islands, of which all that he knew was that they included those loosely known as Ellice’s group; then the Kingsmill isles; then the Radock and Mulgrave clusters. They were represented as low and fertile, and abounding in a variety of fruits. That the language of the people was said to be very similar to that of the Navigator’s islands, from which their ancestors are supposed to have emigrated. The author, however, takes the skipper at his word, and engaging an old Isle of Skyeman, of the name of Jarl to accompany him, they manage to get off one night with a boat and provisions, on pretence of a man having gone overboard. With a month’s voyage before them they make off, and the best, we should say the only good part of the book, is this voyage and its adventures. One of these is that they fall in with a ship of which the crew all to two islanders, a man and his wife, have been wheedled ashore at one of the islands and murdered. They secure this ship, make friends of the Indian and his wife, and sail on. But they are not destined to reach land in her. A storm overtakes them, the vessel is wrecked; and they with the Indian are again in an open boat. The Indian’s wife is lost in the wreck. In this boat, as they near the islands, they encounter another boat, in which are an old priest and his fifteen sons. They are going from one island to another for the purpose of sacrificing a beautiful maiden by drowning her in a certain cave.

On hearing of this maiden, who is concealed in a sort of hut on deck, and that she is beautiful as the morning, our hero, of course, becomes a champion. They very unjustifiably attack and murder the old man and some of his sons, and carry off the maiden. This maiden, whose name is Zillah [Yillah], and who is white, and with blue eyes, and a mystery, it being dimly meant to be inferred that she is of European origin, is, of course, amazingly beautiful. They carry her with them to land, where they are received as demigods come from the sun, which our hero fully assents to.

This our readers will think pretty wild, but it is nothing to the remainder. The beautiful Zillah is mysteriously stolen away from our enamoured sailor, sun-descended demigod, and he is, moreover, warmly beset by a commission of three damsels, who come with messages in the flower-language from one Queen Hautia, a queen-sorceress of a neighbour-island. The two volumes out of the three are occupied by the voyage all amongst these islands in quest of the lost Zillah. All the islands and their people are described—imaginary people, imaginary manners, in an imaginary peregrination. We have seldom read anything more wild, unreal, unsatisfactory, and tedious. It is like a story which some one and not a very wise one neither, traces in the clouds as he lies on his back in the grass on a fine summer’s day. The lost Zillah is found to have been carried off by this queen Hautia, and drowned, and the sorceress makes advances from which our demigod flies. He pushes off to sea again in an open boat, pursued by three of the murdered priest’s sons; and if any one wishes to judge further of the sanity of the author, or the satisfactory conclusion of the story, he has it in the last sentences:—

“Churned in foam, that outer ocean lashed the clouds; and straight in my white wake, headlong dashed a shallop, three fixed spectres leaning on its prow; three arrows poising.

“And thus pursuers and pursued flew on, over an endless sea!”

Such is the story—the style in which it is written is still worse. It is a bad case of contagion from the Carlyle idiomatic disease. Every age has its author, who infects all the smaller fry with a furor of mad English, which lasts until it has worn out both its novelty and the public patience. But the Carlyle verbal vaccination is here mingled with other corruptions. Sometimes you fancy you have got into Ossian—sometimes into the song of Ragnar Lodbrog. You are sickened with a terrific dose of sing-song prose, or prosy sing-song.

And yet there are things in the first volume that show with a fitting subject what the writer could do. The voyage in the open boat, as we have said, is beautiful. You are introduced into a world of wonderful fishes, swimming and streaming along with the voyagers in myriads, and in a truly oriental magnificence. The account of the sharks is striking: “We saw them,” he says “not by units, nor by tens, nor by hundreds, but by thousands and by myriads. Trust me, there are more sharks in the sea than morals on earth.” But we like better the following:— 
MY LORD SHARK AND HIS PAGES. [from Mardi volume 1 chapter 18]

“THERE is a fish in the sea that evermore, like a surly lord, only goes abroad attended by his suite. It is the shovel-nosed Shark. A clumsy lethargic monster, unshapely as his name, and the last species of his kind, one would think, to be so bravely waited upon, as he is. His suite is composed of those dainty little creatures called pilot fish by sailors. But by night his retinue is frequently increased by the presence of several small luminous fish, running in advance, and flourishing their flambeaux like link-boy's lighting the monster's way. Pity there were no ray-fish in rear, page-like, to carry his caudal train.

"Now the relation subsisting between the pilot fish above mentioned and their huge ungainly lord, seems one of the most inscrutable things in nature. At any rate, it poses poor me to comprehend. That a monster so ferocious, should suffer five or six little sparks, hardly fourteen inches long, to gambol about his grim hull with the utmost impunity, is of itself something strange. But when it is considered, that by a reciprocal understanding, the pilot fish seem to act as scouts to the shark, warning him of danger, and apprising him of the vicinity of prey; and moreover, in case of his being killed, evincing their anguish by certain agitations, otherwise inexplicable; the whole thing becomes a mystery unfathomable. Truly marvels abound. It needs no dead man to be raised, to convince us of some things. Even my Viking marvelled full as much at those pilot fish as he would have marvelled at the Pentecost.

"But, perhaps, a little incident, occurring about this period, will best illustrate the matter in hand.

"We were gliding along, hardly three knots an hour, when my comrade, who had been dozing over the gunwale, suddenly started to his feet, and pointed out an immense shovel-nosed shark, less than a boat's length distant, and about half a fathom beneath the surface. A lance was at once snatched from its place; and true to his calling, Jarl was about to dart it at the fish, when, interested by the sight of its radient little scouts, I begged him to desist.

"One of them was right under the shark, nibbling at his ventral fin; another above, hovering about his dorsal appurtenance; one on each flank ; and a frisking fifth pranking about his nose, seemingly having to say something of a confidential nature. They were of a bright, steel-blue colour, alternated with jet black stripes; with glistening bellies of a silver-white. Clinging to the back of the shark, were four or five remoras, or sucking-fish; snaky parasites, impossible to remove from whatever they adhere to, without destroying their lives. The Remora has little power in swimming; hence its sole locomotion is on the backs of larger fish. Leech-like, it sticketh closer than a false brother in prosperity; closer than a beggar to the benevolent; closer than Webster to the constitution. But it feeds upon what it clings to; its feelers having a direct communication with the Å“sophagus.

"The shark swam sluggishly; creating no sign of a ripple but ever and anon shaking his Medusa locks, writhing and curling with horrible life. Now and then, the nimble Pilot fish darted from his side—this way and that—mostly toward our boat; but previous to taking a fresh start ever returning to their liege lord to report progress.

"A thought struck me. Baiting a rope's end with a morsel of our almost useless salt beef, I suffered it to trail in the sea. Instantly the foremost scout swam toward it; hesitated; paused; but at last advancing, briskly snuffed at the sea. line, and taking one finical little nibble, retreated toward the shark. Another moment, and the great tamerlane himself turned heavily about; pointing his black, cannon-like nose directly toward our broadside. Meanwhile, the little Pilot fish darted hither and thither; keeping up a mighty fidgetting, like men of small minds in a state of nervous agitation.

"Presently, tamerlane swam nearer and nearer, all the while lazily eyeing the chamois, as a wild boar a kid. Suddenly making a rush for it, in the foam he made away with the bait. But the next instant the uplifted lance sped at his skull; and thrashing his requiem with his sinewy tail, he sunk slowly, through his own blood, out of sight. Down with him swam the terrified pilot fish; but soon after, three of them were observed close to the boat, gliding along at a uniform pace; one an each side, and one in advance; even as they had attended their lord. Doubtless, one was under our keel.

“ 'A good omen,' said Jarl; 'no harm will befall us so long as they stay.'

"But however that might be, follow us they did, for many days after; until an event occurred, which necessitated their withdrawal."
This, and the discovery and boarding the Indian ship, are proofs that with a better judgment the author could have written a book as interesting as this is absurd in more than the better half. 
-- The Standard of Freedom (London, England), 31 March 1849.
Well aware of haters, the author of Mardi made it a math problem and riddle for future readers:
"These attacks are matters of course, and are essential to the building up of any permanent reputation — if such should ever prove to be mine. — "There's nothing in it!" cried the dunce, when he threw down the 47th problem of the 1st Book of Euclid — "There's nothing in it! — " — Thus with the posed critic. But Time, which is the solver of all riddles, will solve "Mardi."

-- Herman Melville, letter to Lemuel Shaw on April 23, 1849; quoted in Jay Leyda, The Melville Log (Harcourt, Brace, and Company, 1951) volume 1, page 300.