Showing posts with label flowers. Show all posts
Showing posts with label flowers. Show all posts

Tuesday, July 18, 2017

Waterfalls of woodbine

[The upper falls of the Genesee at Rochester N.Y. from the east.]
via The New York Public Library Digital Collections
As part of summer reading, “Mardi”, one of Herman Melville’s pre-”Moby Dick” titles, is enjoyable. Set in the South Seas, Melville describes the charming island arbors and archipelagos. On page 359, a description behind a watery bower, inside a sheet of water like “the Falls of the Genesee.” A surprise! 
--David W. Parish - Livingston County News
Agreed, Mardi makes fine summer reading. And it's a treat to find Melville's great third book commended anywhere outside of Melvilliana. But let's slow down and smell the flowers. In this particular chapter from the second volume of Mardi ("My Lord Media Summons Mohi to the Stand") Media drinks, Yoomy daydreams, and Mohi gets grilled on the big questions,"What are you?" and "what are men?" The island arbor where Melville's wanderers rest and talk has no real waterfall. The wonderful waterfall image is employed as a figure of speech. Technically, a simile using the word like. The simile here does not compare water to water, but rather plants to water. As described by Melville's narrator Taji, entering the fictional bower feels "like" stepping behind a waterfall (possibly the upper or "High Falls" at Rochester, though Melville does not specify exactly which "sheet" he means), one of the falls of the Genesee River in New York State. The fancied waterfall-effect is created by cascades of trailing vines that flow, or seem to, from gorgeously blossoming Tamarisk and Tamarind trees.


Soon, we drew nigh to a charming cliff, overrun with woodbines, on high suspended from flowering Tamarisk and Tamarind-trees. The blossoms of the Tamarisks, in spikes of small, red bells; the Tamarinds, wide-spreading their golden petals, red-streaked as with streaks of the dawn. Down sweeping to the water, the vines trailed over to the crisp, curling waves,—little pages, all eager to hold up their trains. 
Within, was a bower; going behind it, like standing inside the sheet of the falls of the Genesee. 
In this arbor we anchored. And with their shaded prows thrust in among the flowers, our three canoes seemed baiting by the way, like wearied steeds in a hawthorn lane.
--Mardi: And a Voyage Thither
In the passage cited by David W. Parish, Melville takes us to one of his favorite imaginary places, a shady retreat, where imaginary characters engage in some of Melville's favorite activities: drinking, smoking, daydreaming, and philosophizing. It's only like being behind a waterfall in upstate New York. Here Melville's idealized "arbor" or "bower" lies behind a figurative waterfall of flowering woodbine.

Woodbine Honeysuckle via The Garden Helper
More arbors and vines in writings by Herman Melville:

MARDI
Think of the time when we ran up and down in our arbor, where the green vines grew over the great ribs of the stranded whale.  --Mardi: And a Voyage Thither  
Conducted to the arbor, from which the queen had emerged, we came to a sweet-brier bower within; and reclined upon odorous mats. --Mardi: And a Voyage Thither
Sang Yoomy:—
Her bower is not of the vine,
But the wild, wild eglantine!
Not climbing a moldering arch,
But upheld by the fir-green larch.--Mardi: And a Voyage Thither
REDBURN
Our binnacle, by the way, the place that holds a ship’s compasses, deserves a word of mention. It was a little house, about the bigness of a common bird-cage, with sliding panel doors, and two drawing-rooms within, and constantly perched upon a stand, right in front of the helm. It had two chimney stacks to carry off the smoke of the lamp that burned in it by night. 
It was painted green, and on two sides had Venetian blinds; and on one side two glazed sashes; so that it looked like a cool little summer retreat, a snug bit of an arbor at the end of a shady garden lane. Had I been the captain, I would have planted vines in boxes, and placed them so as to overrun this binnacle; or I would have put canary-birds within; and so made an aviary of it.... --Redburn: His first Voyage
WHITE-JACKET
...one glimpse of a bower of grapes, though a cable's length off, is almost satisfaction for dining off a shank-bone salted down.  --White-Jacket
MOBY-DICK
There’s naught so sweet on earth—heaven may not match it!—as those swift glances of warm, wild bosoms in the dance, when the over-arboring arms hide such ripe, bursting grapes.--Chapter 40 - Midnight, Forecastle
Chapter 102 - A Bower in the Arsacides
PIERRE
After seeing Lucy into her aunt's most cheerful parlor, and seating her by the honeysuckle that half clambered into the window there; and near to which was her easel for crayon sketching, upon part of whose frame Lucy had cunningly trained two slender vines, into whose earth-filled pots two of the three legs of the easel were inserted....
--Pierre; Or, The Ambiguities
Villain!—the vines! Thou hast torn the green heart-strings! Thou hast but left the cold skeleton of the sweet arbor wherein she once nestled! Thou besotted, heartless hind and fiend, dost thou so much as dream in thy shriveled liver of the eternal mischief thou hast done? Restore thou the green vines! untrample them, thou accursed!—Oh my God, my God, trampled vines pounded and crushed in all fibers, how can they live over again, even though they be replanted!  --Pierre; Or, The Ambiguities 
...and she fell upon Pierre's heart, and her long hair ran over him, and arbored him in ebon vines.  --Pierre; Or, The Ambiguities
 THE PIAZZA TALES
... and a trellis, with honeysuckle, I set for canopy.  --The Piazza
 CLAREL
As were Venetian slats between,
He espied him through a leafy screen,
Luxurious there in umbrage thrown,
Light sprays above his temples blown—
The river through the green retreat
Hurrying, revelling by his feet. 
--Clarel 2.27 - Vine and Clarel

Saturday, March 30, 2013

1855 Lilies and Violets, endorsed by Melville


From the publisher's advertisement of J. C. Derby for Lilies and Violets ("A New Book For Young Ladies") in the New York Evening Post, Wednesday, December 27, 1854
"I cannot but think your design a happy one—the title is highly pleasing." —[Herman Melville.
Below, Melville's published endorsement in context, following recommendations by Anne Lynch, T. Buchanan Read, Fitz-Greene Halleck, and Lydia Huntley Sigourney:
The authoress has received the following testimonials and recommendations of “Lilies and Violets”: 
“The volume that you propose to bring before the public, it strikes me, will fill an unoccupied space in our literature, and commends itself highly to the judgment and taste of those for whom it is intended.”—[Miss Anne C. Lynch.
“I can conceive of no more charming volume.”—[T. Buchanan Read.
“I am certain that under your able guidance, the work needs no second advocate.”—[Fitz-Greene Halleck.
“I feel an interest in your beautiful literary design, of which I give proof by the inclosed poem.”—[L. H. Sigourney.
"I cannot but think your design a happy one—the title is highly pleasing." —[Herman Melville.

J. C. DERBY, Publisher, New York,
And for sale by booksellers generally.
Even so brief and seemingly non-committal a comment by Melville has potentially significant implications. For one thing, when ever did any publisher quote Herman Melville's opinion of a new book? And however little the testimonial provides evidence of two letters or communications in Melville's lost correspondence, one from editor "Rosalie Bell" (pseudonym? and whose?) or somebody at Derby soliciting support for the project, and the one from Melville in reply that is selectively quoted in the advertisement.

Like Melville, Lydia H. Sigourney praised the "design" of the proposed anthology. Sigourney liked the design so well she sent along a contribution of her own for inclusion: "Death of a Young Maiden" (p. 319), presumably.
 
Melville did not contribute, unless he wrote one of those sketches or poems in the volume attributed to "Anonymous." Something to look into on a rainy day! For now I would guess Melville picked up some ideas and hints in Lilies and Violets that we find eventually developed in the Weeds and Wildings manuscript, in flower poems like "A Ground-Vine Intercedes with the Queen of Flowers for the Merited Recognition of Clover" and "The Devotion of the Flowers to Their Lady." 

Lilies and Violets was later republished or pirated in 1864 by J. E. Potter under a different title, The Young Lady's Own Book, with credit now going to a different editor, "Emily Thornwell."

UPDATES

"Rosalie Bell" was a pseudonym of Mrs. Catharine V. Devens, formerly Catharine V. H. Oakes (1827-1855), as explained in the editorial note to her letter of September 11, 1854 to Thoreau, published in The Correspondence of Henry D. Thoreau: Volume 2: 1849-1856, edited by Robert N. Hudspeth with Elizabeth Hall Witherell and Lihong Xie (Princeton University Press, 2018) at page 241. Alternatively spelled Catherine, as on the Devens family headstone at Cataumet Cemetery.

Review of LILIES AND VIOLETS in the Salem [Massachusetts] Register, Thursday, December 28, 1854:
This is a beautiful volume, admirably adapted for a gift book, containing selections, in prose and verse, from many favorite writers. The selections are classified, and arranged under the heads Esthetic, Intellectual, Affectional, Devotional, and Domestic. The vignette title page is an elegant specimen of art, and the little embellishments interspersed through the volume are remarkably tasteful and well executed. Miss Anne C. Lynch, the poetess, expresses the opinion that this book will fill an unoccupied space in our literature, and commends itself highly to the judgment and taste of those for whom it is intended. Mrs. Sigourney furnished a poem for what she calls “this beautiful literary design.” — Fitz Greene Halleck, Melville, Reed, and many others of our distinguished authors, have also expressed their warm approbation of the work, and have aided the compiler essentially by their advice and contributions. So many gems, from native and foreign writers, set in a style of such simple elegance, can not fail to prove unusually attractive. The volume must be placed in the choicest catalogue.
The Derby advertisement with Melville's endorsement of Lilies and Violets also appeared in the New York Tribune, Saturday, December 23, 1854; and on the same day in the New York Times. "Published This Day" according to the ad, timed to tempt holiday shoppers with a traditional gift-book.

Sat, Dec 23, 1854 – Page 8 · The New York Times (New York, New York) · Newspapers.com